As stunning as well-executed macro images are, from the photographer’s position it is one of the most difficult genres in which to create unique, dramatic compositions. This is due mainly to the compact nature of the surrounding environment.
In sports or wildlife photography, there is great scope for dynamic camera movement, to introduce creative effects and quickly make great changes in framing. When working with macro lenses, shooting very small subjects, the close working distances can prove prohibitive, when seeking novel and engaging camera angles. Additionally, since depth-of-field is so restricted, any alterations to composition must be conducted with care, to ensure the correct areas of the subject remain sharp.
This can be problematic when trying artistic perspectives, as DOF is even more limited when shooting at oblique angles to…
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Teach Yourself Macro Photography (Digital) - 1 Issue, Teach Yourself Macro Photography 2