“It’s still not diverse enough,” says art dealer and activist Amar Singh of the art world. But he is part of a movement calling for better representation and the decolonisation of art history. “We’re just at the beginning.”
For a long time, the programming at museums and galleries has championed straight, white, male artists and reflected the dominant trend throughout art history.
In recent years, however, an increased demand for works by female artists, LGBTQ+ artists, and artists of colour has resulted in a significant inflation in both their monetary and cultural value. Art institutions have been forced to seriously reconsider the diversity of their collections and artist rosters. While this socio-cultural reckoning has gained immense traction (fuelled further by the #MeToo and Black Lives Matter cultural movements), Singh hopes…
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Tatler Hong Kong (Digital) - 1 Issue, August 2022