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Star Trek: Voyager 25th Anniversary Special January 24th, 2020 Digital Back Issue Cover

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CHARTING THE NEW FRONTIER

On January 16, 1995, Star Trek: Voyager made its television debut. The fourth Star Trek series had a very different premise to its predecessors: flung 70,000 light years to the unexplored Delta Quadrant, far from the familiar Federation, the U.S.S. Voyager faced a long and perilous journey home. Across seven seasons, Captain Kathryn Janeway and her crew encountered new species, new wonders, new threats… and some very familiar adversaries for good measure. Twenty-five years on from Voyager’s debut, this Anniversary Special revisits that remarkable journey, both onscreen and behind the scenes. Drawing on contemporaneous Star Trek Magazine interviews with showrunners Jeri Taylor and Brannon Braga, along with on-set reports, insights from actors and production personnel, season guides, and a new interview with Janeway herself, Kate Mulgrew, this is the complete…

CHARTING THE NEW FRONTIER

JANEWAY’S WAY

Kate Mulgrew couldn’t say “yes” fast enough when we sought to chat with the actress for this Star Trek: Voyager Special commemorating the 25th anniversary of the show, a show that provided her with so many things. Among them: the character of a lifetime; a job that presented steady work and salary right when she needed it most; friendships that have lasted decades; a fan base that adores her and eagerly follows her from project to project; and status not only as an icon, but as an inspiration to countless women around the word. Thankful beyond words for all of that, here Mulgrew – as always talkative, full of vigor, forceful, and forthright – discusses her time aboard the U.S.S. Voyager and how it changed everything. Star Trek: Voyager 25th…

JANEWAY’S DOZEN

“Death Wish” (Season 2, Episode 18) When a member of the Q Continuum named Quinn requests asylum in order to commit suicide, Janeway struggles to align her respect for an individual’s rights with her aversion to euthanasia. The episode also marks the first appearance of Q (John de Lancie) on Voyager, who Janeway continues to spar with throughout her voyage. “Deadlock” (Season 2, Episode 21) What’s more formidable than one Captain Janeway? Two Captain Janeways, of course! A spatial rift duplicates the U.S.S. Voyager and its crew, causing an antimatter shortage that threatens the future of both vessels. “Tuvix” (Season 2, Episode 24) Janeway stares down a no-win scenario when she grapples with the notion of forcing Tuvix to sacrifice his life in order to return Tuvok and Neelix to…

JANEWAY’S DOZEN

VOYAGER OPENING CREDIT SEQUENCE

For the United Paramount Network’s flagship series Star Trek: Voyager, the producers of Star Trek decided to place their ship and its crew in a new, unexplored area of their flctional universe, so the show’s opening title sequence had to be a majestic introduction to both the U.S.S. Voyager and the strange new worlds it encounters on its long journey home. To accomplish this, they turned to the computer graphics artists at Santa Barbara Studios. Formed in 1989, the group had done plenty of previous work for Star Trek, providing the comet encountered in the Star Trek: The Next Generation episode “Masks,” and the one seen in the opening credits of Star Trek: Deep Space Nine. Founder and president John Grower even worked on Star Trek: The Motion Picture in…

VOYAGER OPENING CREDIT SEQUENCE

JERI TAYLOR BEGINNINGS

Ask Jeri Taylor, co-creator and Executive Producer on Star Trek: Voyager, about the earliest stirrings in the fall of 1993 of what became the latest Star Trek incarnation, and her first recollection may be a surprise. “I think of fruit salad,” laughs Taylor, who describes how she and co-creators Rick Berman and Michael Piller met at a lunch three times a week to hash out the eagerly awaited series. “Rick, Michael, and I would meet in Rick’s office and we’d order in from the commissary, and my standard lunch was fruit plate with cottage cheese. Everybody had their own individual thing that they stuck with, so only toward the end after weeks and weeks – when I thought, ‘I have eaten a mountain of fruit in this whole process!’ –…

JERI TAYLOR BEGINNINGS

To Boldly Go As with any epic adventure, the best place to catch up with Star Trek: Voyager is at the beginning. The series’ feature-length debut, “Caretaker” (Season 1, Episode 1), details the early moments of the U.S.S. Voyager’s unexpected expedition to the Delta Quadrant. Whisked across 70,000 light years by the eponymous being known as the Caretaker, Captain Kathryn Janeway’s crew emerges from a mix of Starfleet and Maquis survivors and is supplemented by local castaways Neelix and Kes. The series premiere introduces Voyager to the Kazon – an unruly group of foes who plague the starship during its first two years in unknown space – and sets the stage for the unorthodox journey to come. False Hope Opportunities to get home are teased in “Eye of the Needle”…

Star Trek: Voyager Special: Have you been surprised at the longevity of the show? Robert Beltran: I thought that Star Trek: Voyager would go for a good four or five years, at least, just because the franchise is still so popular and so entrenched in popular culture. Has doing the show lived up to your expectations? Voyager has met my expectations in that I like what the producers have done with the character I’m playing and I generally like the stories. Those aspects were uppermost in my mind, as far as priorities go. Good characters and good stories are the keys [to the show]. The downside is that there are many episodes of this show where you’re a glorified extra. You just don’t have that much to do. That means…

UNDER THE SPOTLIGHT BRANNON BRAGA

From a start as a writing intern on Star Trek: The Next Generation, Brannon Braga went on to acquire a “Twilght Zone” reputation on the series while turning out such eerie and off-beat fare as “Cause and Effect,” “Realm of Fear,” “Schisms,” “Frame of Mind,” “Birthright, Part I,” “Timescape,” “Phantasms,” “Parallels,” “Genesis,” and, with Ron Moore, the series finale “All Good Things…” as well as Star Trek Generations. Now, at the very beginning of Star Trek: Voyager, he faces a different challenge: creating a new series background rather than expanding an established one. Having been principally involved with several of Voyager’s first 20 hours – including two of the last four held over to start the new season early – Braga says it was an easy jump to the new…

UNDER THE SPOTLIGHT BRANNON BRAGA

Star Trek: Voyager Special: What attracted you to Star Trek: Voyager? Roxann Dawson: I wasn’t familiar with Star Trek at all. I was attracted to the story and mostly to the character. I had a sense of the internal struggle that B’Elanna was going through; 1 hadn’t seen a character that dealt with that kind of inner conflict before, and it was that element which really appealed to me. During our first week together, one of the most frequent comments people made about us was how we seemed to fit very well together and how the chemistry was so strong between us. I’ve been in a lot of ensemble shows and I have to say it’s not the norm. I think we just happened to get a group of people…

Familiar Faces The discovery of a rusty 20th-Century automobile hanging in space brings the crew into contact with Amelia Earhart and other long-lost humans in “The 37’s” (Season 2, Episode 1). The enjoyable jaunt solves the mystery of Earhart’s disappearance by employing a classic Star Trek explanation: an alien abduction! Kes meets a fellow enclave of Ocampans who show her the true potential of her mental abilities in “Cold Fire” (Season 2, Episode 10). Voyager’s crew also runs into the Caretaker’s mate, but any hopes of receiving its help are quickly dashed by the life-form’s bitterness over the Caretaker’s demise. Speaking of perishing, “Death Wish” (Season 2, Episode 18) presents Janeway and her crew with a gripping moral quandary over assisted suicide, and acts as their initial contact with the…

TECH SPEC U.S.S. VOYAGER

Although an estimated 150 persons were aboard her when she was transported to the Delta Quadrant, the is one of the fastest and most powerful starships in Starfleet. Though smaller in size than the Galaxy-class U.S.S. Enterprise NCC-1701-D, the U.S.S. Voyager is more technologically advanced than previous Federation vessels, and can operate independently for approximately three years without refueling. Superbly equipped for exploration and research, the U.S.S. Voyager has an equally impressive array of defensive and offensive weapons, making it ready for action. In comparison to the Enterprise-D’s length of 2,108 feet, the Intrepid-class Voyager is 1,130 feet long and weighs some one and a half million tons. The basic hull structure is fabricated from tritanium/duranium alloys. The ship was built at Starfleet’s Earth Station McKinley and was launched on…

TECH SPEC U.S.S. VOYAGER

STATE OF THE SERIES JERI TAYLOR

The big news this month is the announcement by Michael Pliler, co-creator of Star Trek: Voyager as well as Star Trek: Deep Space Nine and the head writer who stabilized the Star Trek: The Next Generation staff from its pivotal third season onward, that he is leaving active participation as an executive producer on Voyager. Pliler, who has a development deal for features with Paramount Pictures, will remain on the lot for now and take on the role of creative consultant as he did last season with Deep Space Nine. Meanwhile, with Star Trek: Voyager’s second season wrapped up, except for four holdover episodes, until the next autumn – and no new shooting until July 8 – Star Trek Magazine checked in with executive producer and co-creator Jeri Taylor in…

STATE OF THE SERIES JERI TAYLOR

Star Trek: Voyager Special: What was it like being directed by Robert Picardo on the episode “Alter Ego”? Tim Russ: I’ve already had that experience in that Robert McNeill has directed an earlier episode. In reality, I think it’s more beneficial to us as actors to have actors become directors, because they know the show and they know the characters a great deal. We have a rapport that’s already established, we get along with each other, and it’s really a lot easier to work with them. It’s also more difficult because the actors know all the tricks! They know if you’re trying to get away with something, and they’re not going to let you do it! Are you interested in directing episodes of the show further down the line? Several…

Moving Forward “Basics, Part II” (Season 3, Episode 1) picks up where the previous season leaves off. With assistance from Lon Suder and the Talaxians, Captain Janeway wrestles command of U.S.S. Voyager back from Maje Culluh and puts an end to the Kazon as a recurring threat to the ship. The Doctor notes that Seska’s baby is actually Culluh’s son, and the Cardassian spy ultimately perishes after the battle. With the exception of a handful of future appearances by the Kazon, the episode allows Voyager to set sail into uncharted regions by tying up the Seska arc that permeates the show’s first two seasons. Blasts from the Past Cowboy diplomacy is back! “Flashback” (Season 3, Episode 2) represents one of the series’ finest moments, as Janeway and Tuvok dive into…

JERI TAYLOR NEW HORIZONS

It’s early on a Thursday morning in June. Two of the Season 4 episodes of Star Trek: Voyager have already been shot, and the production staff are beginning work on the third. Jeri Taylor, the executive producer on the series, kindly set aside some time in her busy day to bring Star Trek Magazine up to date on all that is currently happening on Star Trek: Voyager. The series’ previous season, its third, was touted as a watershed year, a chance for Voyager to find its feet and weed out elements of the series that weren’t up to par. It was a year of separating the wheat from the chaff. “I think what worked was that we started to regain some of the sense of fun and adventure on Star…

JERI TAYLOR NEW HORIZONS

BRANNON BRAGA UPPING THE STAKES

The philosophy we’ve taken is to make every episode like a little movie,” says Brannon Braga, taking time out of his busy schedule to keep readers of Star Trek Magazine abreast of goings on in Star Trek: Voyager. “We want every episode to have scope, sweep, and a sense of grand adventure and high stakes,” he explains. “We began to hit our stride with ‘Future’s End.’ We really rounded off Season 3 with a bang and an upswing, and our goal in Season 4 is to make some big changes. Aside from what I’ve just described [which are changes within the framework of the established series], we want to make some even bigger sweeping changes and carry that momentum well into the fourth season. So far, so good. We’re very…

BRANNON BRAGA UPPING THE STAKES

Diverging Developments “Scorpion, Part II” (Season 4, Episode 1) welcomes Seven of Nine to the Voyager family and reveals that the Borg instigated the conflict with Species 8472. Seven’s separation from the Collective means that the former drone will now be a permanent fixture on the ship. Seven’s arrival precedes Kes’ departure in “The Gift” (Season 4, Episode 2), but the Ocampan’s exit stays true to her character’s arc. Kes simply grows into her mental powers and uses them to catapult her friends beyond Borg space and 9,500 light years closer to Earth. Kes is not the only one to evolve, as the combative Tom Paris and B’Elanna Torres finally admit their feelings for each other in “Day of Honor” (Season 4, Episode 3). Hunted by Hirogen “Message in a…

Star Trek: Voyager Special: Does the production of a season of Star Trek: Voyager feel like a fast process? Jeri Ryan: It depends on my mood. Sometimes, it feels like several years. But it’s really been kind of a whirlwind. I love to work, but 26 episodes is a long season. That’s a lot of work. One reason you sign onto an ensemble show is because they have to divide the storylines evenly among the characters and you get a little time off [to spend with your family]. I think the character development in every direction on the show is terrific, not only the addition of Seven. I love the relationships between all of the characters. I love the direction the show is going in. It has very good writing…

BRANNON BRAGA CHARTING A COURSE THROUGH THE STARS

Star Trek: Voyager’s fourth season has drawn to an exciting close, and now, on a typically hot Los Angeles afternoon in July, the production offices are already four episodes deep into producing the coming season. Although nothing as visible as a cast change is occurring this time out of the gate, there is one significant difference behind the scenes. Executive Producer Jeri Taylor has departed, passing the torch to Brannon Braga. As the show’s new executive producer, Braga confesses that the position feels a trifle scary, despite preparations. “I really prepared for it last year,” he says. “Basically, last year I pretended that I was [already] here and wrote a tremendous amount of scripts, and more or less was executive producer under the guidance of Jeri Taylor, who would tell…

BRANNON BRAGA CHARTING A COURSE THROUGH THE STARS

Star Trek: Voyager Special: “Message in a Bottle” was an important episode as it introduced another Emergency Medical Hologram (EMH) played by Andy Dick. What was he like to work with? Robert Picardo: Andy Dick, what a guy! About three or four days into the shooting he says to me, “So your name is Picardo. It’s so close to Captain Picard. Do you get teased a lot about that?” And I said, “Your name is Andy Dick, and you’re going to make fun of mine?” I don’t think you can grow up with a name like that and not have a healthy sense of humor. Was he easy to work with? He’s a very fun, slightly crazy individual who likes to have a good time. He’s a bit of a…

A Helping Hand A desolate void? Mysterious aliens? An environmentally-conscious message? “Night” (Season 5, Episode 1) truly has it all! Voyager’s defense of a species battling against the Malon’s toxic pollution is rewarded with a trip through a spatial vortex that shortens their Delta Quadrant excursion by two years. The crew finds another unlikely ally in “Drone” (Season 5, Episode 2), when Seven’s nanoprobes hijack the Doctor’s mobile emitter to create the 29th-Century Borg known as One. The drone’s ability to bond with people from outside the Collective, and decision to sacrifice himself for their safety, ensures that this is a must see episode. Species 8472 arrives to prepare for a planned invasion of the Federation in “In the Flesh” (Season 5, Episode 4), but the two sides’ willingness to…

ROBERT DUNCAN MCNEILL

Star Trek: Voyager Special: Did you enjoy being Captain Proton in the holodeck? Robert Duncan McNeill: I think the Captain Proton stuff is a wonderful idea for a running holodeck program. They originally mentioned it to me before we started Season 5 and I loved the idea from the beginning. It’s just so well-conceived, from showing it in black and white to the ‘30s style Art Deco design and all the references to the old Flash Gordon/Forbidden Planet kinds of science fiction movies. I certainly think the fans get a real kick out of it, because it pokes a little fun at the whole genre. I really enjoy doing those scenes, because it gives me an opportunity to show Tom’s sense of humor and his sense of fun. It’s a…

ROBERT DUNCAN MCNEILL

BRANNON BRAGA SIXES & SEVENS

It’s been over half a decade since the U.S.S. Voyager was first lost in space, and despite the numerous temporal paradoxes the crew have encountered, the multiple chronologies and the frequent distortions of the continuum, time still flies. “It went by quickly,” reflects Brannon Braga, now entering his second season as the series’ executive producer. “On the one hand, it’s startling that it’s been five years, but then some days it feels a bit like it’s been 10. I mean, we already have the first half of the sixth season mapped out. So, if you really think of it in terms of numbers, I’ve only got about 40 episodes of Voyager to produce before it’s over! It’s very unsettling in some ways. I’m almost getting nostalgic over it!” But before…

BRANNON BRAGA SIXES & SEVENS

Explorers “Equinox, Part II” (Season 6, Episode 1) reinforces the fact that going toe-to-toe with Captain Janeway is an exercise in futility. Voyager’s commanding officer manages to contact the unfamiliar species laying siege to her vessel, best Captain Ransom and the Equinox, and even offers refuge to the handful of Equinox personnel who transfer to Voyager. No wonder the Borg perceive Janeway as such a threat to the Collective! Voyager’s crew adeptly return to their roots as explorers, uncovering the hibernating remnants of the Vaadwaur civilization in “Dragon’s Teeth” (Season 6, Episode 7). Inadvertently releasing a belligerent species back into interstellar affairs is not the optimal way to start the day, but it is hard to fault Janeway and her subordinates for their compassion. “One Small Step” (Season 6, Episode…

Star Trek: Voyager Special: How do you think that Ensign Harry Kim has grown over the course of Voyager? Garrett Wang: He’s definitely become more confident over time. He’s not as wet-behind-the-ears or as inexperienced as he used to be. He’s still very serious and duty-minded, but [now] there’s some added humor. Everyone asks when I’ll be promoted. Everyone. It’s normally the first thing I’m asked at conventions. Now, first of all, I would like to point out that the rank of ensign isn’t the lowest rung on the ladder – that would be crewman… So it could be worse! My running joke [was] that there should be a storyline with characters losing their [rank] pips, and it turns out that Harry Kim has become a kleptomaniac and is stealing…

Stage 16 at the Paramount Pictures studio lot is dim and smoky as hell. The lair of the Borg Queen is showing signs of coming to life, what with pulsing computer displays and blinking lights piercing the darkness. Several crewmen are busily moving a camera into place, while another group of men tinker with the Borg Queen’s head, which will momentarily be filmed attaching itself to the Borg Queen’s body. No, it’s not “Dark Frontier,” the two-hour Star Trek: Voyager telemovie that aired last season, but rather “Unimatrix Zero,” the cliffhanger finale of Voyager’s sixth season. Calling the shots on “Unimatrix Zero” is none other than Allan Kroeker, the veteran Star Trek director whom Star Trek Magazine last caught up with on the set of “What You Leave Behind,” the…

A Resistance is Born Fear not, for being assimilated is all a part of Janeway’s ruse! Voyager’s away team is successfully “de-Borged,” and the captain orders the disruption of Unimatrix Zero to prevent the Borg Queen from killing the mutated drones in “Unimatrix Zero, Part II” (Season 7, Episode 1). This action is beneficial as it frees Axum, Korok, and their comrades so that they are able to rise up against the Collective in the real world. The Doctor instigates his own insurrection in “Critical Care” (Season 7, Episode 5), when he lands on a planet where medical supplies are allotted based on a patient’s affluence rather than their physical needs. Be sure to watch this episode to learn why the EMH elects to poison one of his alien superiors!…

Star Trek: Voyager Special: The Voyager crew has been through some changes, with the introduction of Seven of Nine (Jeri Ryan), and Neelix’s former partner, Kes (Jennifer Lien) leaving the show. Where does Neelix fit into this new crew dynamic? Ethan Phillips: I think bringing Seven on board gave a new piece to the puzzle and somehow that stimulated the writers. It stimulated everybody. I think her arrival created a different kind of tension on the set and new dynamics between the characters. With Kes now in another plane of existence, and no chance for a rekindling of that relationship, do you think that Neelix is destined to remain a bachelor? Or do you think there will be romance on his horizon? Well, they had me flirting with that girl…

Star Trek: Voyager Special: When did you first start acting? Jennifer Lien: I started when I was about 12, and kept on going from there. It was fun. I respected a lot of people in the acting business. All of [those early roles] had something that did something for me. I can’t really pick out a particular role. There was nothing that was really important or stood out. How was Kes first described to you? Kes left her home planet, having rebelled against the planet’s leaders. She doesn’t want to stay there any more. She had to go, and decided to join the Voyager crew along with the Neelix character. I had no idea where the producers wanted to take the character. I found out when I got the scripts.…

GAMES WITHOUT FRONTIERS

A left turn off Melrose Avenue, a walk through the parking lot, a few steps past LZ the security guard, a couple of feet beyond the big red light that flashes every so often, and just behind a heavy metal door that separates reality from make-believe and specifically the 24th Century from the 21st Century, “Endgame” awaits. “Endgame,” of course, is the two-hour Star Trek: Voyager series finale. It’s an event so shrouded in secrecy that few have made it through the door of Stage 16 and even fewer have seen a finished “Endgame” script. In fact, even Voyager crew members receiving script changes get only the necessary pages in envelopes marked personal and confidential. “I’ll be in huge, huge trouble if I tell you too much,’’ warns Jeri Ryan,…

GAMES WITHOUT FRONTIERS

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