CHILDREN OF THE STONES

Heavy music is often associated with industrial clamour. Green Lung, however, are imbuing sturdy rock with folk and fairy tales from the English countryside on their third album, This Heathen Land. In the process, they want to emulate the prog-inspired ambition of 70s icons Deep Purple and Rainbow. Prog catches up with guitarist Scott Black and vocalist Tom Templar to find out more.

Matt Mills

Scott Black spent his childhood immersed in the myths of the English countryside. The Green Lung guitarist grew up in rural Devon and used to pass the time playing with his friends in a disused quarry. Back at home, he’d get told that the quarry was stalked by a woodwose: a hair-coated wild man straight from Arthurian fables. And this wasn’t just a bedtime story that grown-ups invented for children’s ears, either. “Even the old blokes at the pub that your dad would hang out with used to talk about it,” the musician remembers on a video call with Prog, on which he’s joined by lead singer Tom Templar. “Growing up very close to Dartmoor, before the internet, all of those legends seemed very plausible.” Since Green Lung formed in…

You're reading a preview of

Prog Italia (Digital) - 1 Issue, Issue 145

DiscountMags is a licensed distributor (not a publisher) of the above content and Publication through Zinio LLC. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered on our website, are those of the respective author(s) or publisher(s) and not of DiscountMags. DiscountMags does not guarantee the accuracy, completeness, truthfulness, or usefulness of all or any portion of any publication or any services or offers made by third parties, nor will we be liable for any loss or damage caused by your reliance on information contained in any Publication, or your use of services offered, or your acceptance of any offers made through the Service or the Publications. For content removal requests, please contact Zinio.