“Like having a brick Wall coming at you!”

In 1974, King Crimson released one of their most underrated, at the time, albums. Red, created by the powerhouse trio Robert Fripp, John Wetton and Bill Bruford, didn’t even reach the UK Top 40 and yet it’s now regarded by many as a key work – not only in Crimson’s back catalogue but also as a foundation stone in what would later become known as progressive metal. On its 50th anniversary, Crimson’s alumni discuss the allure of an album that’s reduced some adults to tears.

Sid Smith

“I was simply going with whatever was coming my way. And what was coming my way from John and Bill was startlingly impressive.”Robert Fripp “Giving birth to the thing was rough work. I’m glad Robert acknowledges that at least his radical neutrality was quite a creative stimulant.”Bill Bruford At the completion of a take on the new instrumental track, Robert Fripp, Bill Bruford and John Wetton down tools and file out of the heavily padded door in Olympic’s Studio Two and into the adjacent control room, where engineer George Chkiantz sits at the 16-track desk. The trio are keen to listen back to their work. George asks his assistant to cue the tape and press play. The chainmounted Tannoy speakers dangling from the ceiling deliver the music in the confines…

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Prog Italia (Digital) - 1 Issue, Issue 150

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