Heavy Mellow

Never one to follow trends, Jane Weaver has mixed things up on her dreamy new album, Love In Constant Spectacle. She’s taken a modern approach to the cut-up technique of lyric-writing and even travelled to Rockfield to record with a producer for the very first time. She reflects on the experience, talks touring plans, and explains why simpler can sometimes be better.

Julian Marszalek

“I tend to write about different characters, so it feels like it’s not really about me. This is more of an emotional, in-touch record.” Those lesser talents who hitched their horses to the psychedelic bandwagon of the last decade might be feeling the strain after just a few releases, but Jane Weaver is showing absolutely no signs of losing any interest in her art. Indeed, she’s now reached the point where her music is instantly recognisable thanks to an ever-evolving solo career that stretches back to the start of the millennium. Her fusion of hauntology via vintage analogue synths, with a love of pop’s melodicism at its most insistent and the more psychedelic end of krautrock, all garnished with mysticism and the occult, has ensured a steady of stream of…

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Prog Italia (Digital) - 1 Issue, Issue 151

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