Michel St-Père is obviously a very happy man, thrilled to have finally released Mystery's latest album, Redemption - which, despite the global events of the last three years, has exceeded all his expectations in terms of pre-sales and rave reviews.
"The comments about it are all positive so far and the pre-sale went really well. It's been our best ever, so I think the fans did not forget about us during the past four years," enthuses Mystery's founder, guitarist, composer and producer. "We're very happy about this, especially as we have sold a lot of the records in the UK."
From beginning to end, Redemption is another Mystery masterclass in how to channel influences from classic British prog and US AOR, elevating them into panoramic symphonic soundscapes, full of moments that catch the breath and capture the imagination. Though much of the album was written and half-recorded before the pandemic, the enforced hiatus gave St-Père time to reflect, his observations providing the overarching theme for both the title track and epic closer Is This How the Story Ends?
Speaking to Prog from Mysteron HQ in Montreal, St-Père recalls: "The band were touring and it was going really well. There were many concerts prepared in 2020 - but all of them were cancelled so we lost track of what we were doing. We also lost the point of rushing to do the new album, so we put it aside and released the Blu-ray concert Caught In The Whirlwind Of Time in 2020 instead. Meanwhile, I continued working on the album, making the new songs.
"When we started touring again, we went to the Midsummer Prog Festival in the Netherlands last year. It was there we decided to get the new album out. It was like kicking our butt to get it finished!"
St-Père wrote six of the album's eight compositions; the other two, love song Every Note and the airy Homecoming, contributed by vocalist/flautist/frontman Jean Pageau and keyboardist/guitarist Antoine Michaud respectively. One song completed before Covid was Pearls And Fire and, as St-Père explains, it was a fan's suggestion via social media that gave him the idea for the history lesson it tells.
"I knew the song was about war, but I didn't know where it would go. This fan said to me, 'You go to the Netherlands very often and call it your second home. You know there was a Canadian soldier called Léo Major who saved a Dutch town during World War II? You should write a song about him.' I went on the internet and started investigating, and I said, 'Okay, that's going to fit perfectly with the song."
For all its sonic loveliness, themes that Redemption covers include migration in hardhitting opener Behind The Mirror, inspired by the heartbreaking photograph of a tiny Syrian boy's lifeless body washed up on a Turkish beach. Beauty And The Least is another morality tale about a prostitute looking for love and yearning for another life. Is This How The Story Ends? embraces all Mystery’s dramatic, intense storytelling, but St-Père kept his options open about how it should appear on record.
“There is something special about this song because it could have been in two parts, the first to open the album and the longer part to close it,” he explains. “In the end, we decided to leave it as one long song. It’s going to be a fun song to play live! It talks about everything that happened involving Covid, thinking how everything might have been finished because of it. I put it in terms of a train passing by: you either jump on it or miss it. There’s a question [implied] at the end: ‘Have I missed the train, or have I arrived?’ It’s not predicting the end – it’s there to make us think that the end could come at any time.”
St-Père is also heartened that the current band line-up has remained stable for six years, each band member making a significant contribution to the musical arrangements before he Mystery-stamps them with his meticulous production. Astonishingly, it’s now nearly a decade since Mystery enlisted Pageau. You can’t talk about all things Mysteron with St-Père without asking him about the well-publicised chain of events that led to his arrival. That was when in 2008, Yes recruited their erstwhile vocalist, Benoît David, who was previously with a Yes tribute band. The Canadians had to work their own schedule around when David toured and recorded with the real Yes. In the end, illness forced David to quit Yes in 2012, then Mystery the following year.
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"The comments about it are all positive so far and the pre-sale went really well. It's been our best ever, so I think the fans did not forget about us during the past four years," enthuses Mystery's founder, guitarist, composer and producer. "We're very happy about this, especially as we have sold a lot of the records in the UK."
From beginning to end, Redemption is another Mystery masterclass in how to channel influences from classic British prog and US AOR, elevating them into panoramic symphonic soundscapes, full of moments that catch the breath and capture the imagination. Though much of the album was written and half-recorded before the pandemic, the enforced hiatus gave St-Père time to reflect, his observations providing the overarching theme for both the title track and epic closer Is This How the Story Ends?
Speaking to Prog from Mysteron HQ in Montreal, St-Père recalls: "The band were touring and it was going really well. There were many concerts prepared in 2020 - but all of them were cancelled so we lost track of what we were doing. We also lost the point of rushing to do the new album, so we put it aside and released the Blu-ray concert Caught In The Whirlwind Of Time in 2020 instead. Meanwhile, I continued working on the album, making the new songs.
"When we started touring again, we went to the Midsummer Prog Festival in the Netherlands last year. It was there we decided to get the new album out. It was like kicking our butt to get it finished!"
St-Père wrote six of the album's eight compositions; the other two, love song Every Note and the airy Homecoming, contributed by vocalist/flautist/frontman Jean Pageau and keyboardist/guitarist Antoine Michaud respectively. One song completed before Covid was Pearls And Fire and, as St-Père explains, it was a fan's suggestion via social media that gave him the idea for the history lesson it tells.
"I knew the song was about war, but I didn't know where it would go. This fan said to me, 'You go to the Netherlands very often and call it your second home. You know there was a Canadian soldier called Léo Major who saved a Dutch town during World War II? You should write a song about him.' I went on the internet and started investigating, and I said, 'Okay, that's going to fit perfectly with the song."
For all its sonic loveliness, themes that Redemption covers include migration in hardhitting opener Behind The Mirror, inspired by the heartbreaking photograph of a tiny Syrian boy's lifeless body washed up on a Turkish beach. Beauty And The Least is another morality tale about a prostitute looking for love and yearning for another life. Is This How The Story Ends? embraces all Mystery’s dramatic, intense storytelling, but St-Père kept his options open about how it should appear on record.
“There is something special about this song because it could have been in two parts, the first to open the album and the longer part to close it,” he explains. “In the end, we decided to leave it as one long song. It’s going to be a fun song to play live! It talks about everything that happened involving Covid, thinking how everything might have been finished because of it. I put it in terms of a train passing by: you either jump on it or miss it. There’s a question [implied] at the end: ‘Have I missed the train, or have I arrived?’ It’s not predicting the end – it’s there to make us think that the end could come at any time.”
St-Père is also heartened that the current band line-up has remained stable for six years, each band member making a significant contribution to the musical arrangements before he Mystery-stamps them with his meticulous production. Astonishingly, it’s now nearly a decade since Mystery enlisted Pageau. You can’t talk about all things Mysteron with St-Père without asking him about the well-publicised chain of events that led to his arrival. That was when in 2008, Yes recruited their erstwhile vocalist, Benoît David, who was previously with a Yes tribute band. The Canadians had to work their own schedule around when David toured and recorded with the real Yes. In the end, illness forced David to quit Yes in 2012, then Mystery the following year.
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Prog (Digital) - 1 Issue, Issue 142