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65 Articles

PROG PRESENTS…

Discovering kscope Kscope were founded to provide a platform for a growing number of artists who had started to reclaim and reinvent aspects of the progressive genre. In order to produce something that resonated in the 21st century, these artists had stripped the music of its perceived excess and clichés, and subtly re-established the movement’s original impulses, experimenting with eclectic musical sources and contemporary sonic possibilities. The first dedicated post-progressive label, Kscope launched in May 2008 with new albums from their first signings No-Man and The Pineapple Thief, and reissues from genre leaders Porcupine Tree. An artistically focused and sympathetic home for an evolving, flexible and truly adventurous style of music without boundaries, Kscope are – like their spiritual forebears 4AD, Factory, Vertigo and Harvest – as concerned with packaging…

What’s on your free Kscope Recordings digital album

1 The Pineapple Thief Rubicon Taken from It Leads To This 2 The Radicant Zero Blue Taken from We Ascend 3 Ihlo Reanimate Taken from Union 4 Trifecta Daddy Long Legs Taken from The New Normal 5 Tim Bowness Idiots At Large Taken from Powder Dry 6 TesseracT Legion Taken from War Of Being 7 Mariusz Duda Bots’ Party Taken from Afr AI d 8 Godsticks If I Don’t Take It All Taken from This Is What A Winner Looks Like 9 Bruce Soord Nestle In Taken from Luminescence 10 Gong My Guitar Is A Spaceship Taken from Unending Ascending 11 Storm Corrosion Drag Ropes Taken from Storm Corrosion 12 Envy Of None Under The Stars Taken from Stygian Waves 13 Gleb Kolyadin Glimmer Taken from Mobula 14 O.R.k. PUTFP Taken…

What’s on your free Kscope Recordings digital album

Hello and welcome to the latest issue of Prog, our first issue of 2025! It’s fair to say it’s been a while since a new Steven Wilson album truly sent ripples of excitement through the prog community, but the news that with his upcoming eighth album, The Overview, Wilson was very much back in prog territory – it features two lengthy suites of music and is a concept album about space – it was a no-brainer he’d return to the magazine’s front cover. (Despite some claiming we feature the man almost every issue, this is his first front cover since 2017!) Steven explains to Dave Everley the story behind his new record, why he’s returned to full-blown prog and where he may take us next on p38. There’s also the…

Bloody Well Write

ONE EYE ON PROG I read with interest Feargal’s Star Letter [Prog 156] about the role of those great specialist prog retailers currently out there. Can I also give a shout-out to those that have gone before? In particular, back in the 90s, Cyclops, and its mailorder arm GFT Music, were something of a shining light as prog emerged from the doldrums. Run by Malcolm Parker, the label had some 170 releases in the 90s and 00s along with a chunky mailorder catalogue, covering both old and new prog, which contained dozens of titles. They also hosted a range of new bands on the label including Mostly Autumn, The Pineapple Thief, Flamborough Head, Parallel Or 90 Degrees, and many others. They released six quality samplers between 1996 and 2006, which…

Bloody Well Write

JETHRO TULL GET MEDITATIVE AND PERSONAL ON NEW STUDIO ALBUM

Jethro Tull will release their 24th album, Curious Ruminant, on March 7 via InsideOutMusic. Their third in the three years, since Ian Anderson relaunched the band with 2022’s The Zealot Gene, finds the frontman in a more contemplative lyrical mode than usual. “Curious Ruminant could refer to a ruminant in the sense of it being an animal, like a cow or a deer or a sheep, but in this case it’s applied to humans thinking something through, ruminating on it,” says Anderson. “And it’s ‘curious’ in the investigative sense, of wanting to find out about something and think about it, rather than curious as in‘weird’.” Anderson began writing the album shortly after finishing work on 2023’s RökFlöte. Where that album was inspired by Norse mythology, the follow-up dispenses with any…

JETHRO TULL GET MEDITATIVE AND PERSONAL ON NEW STUDIO ALBUM

INSIDEOUTMUSIC WELCOME NEW TRIO

Instrumental prog trio Sometime In February, led by Between The Buried And Me live guitarist Tristan Auman, have announced their second album, Where Mountains Hide. It will come out on March 21 and be their debut release on InsideOutMusic, home of Yes, Dream Theater, Devin Townsend and other prog greats. “It’s the premier label for progressive music,” Auman says of his band’s new home. “It has a lot of the modern guys – Caligula’s Horse, Haken and Leprous – and some of the godfathers, too. It’s pretty crazy to be on a roster like that. It doesn’t make sense, honestly, to be scrolling and seeing your name mixed in with all that. I hope to become worthy of that.” Where Mountains Hide follows the US trio’s self-released debut album, There…

INSIDEOUTMUSIC WELCOME NEW TRIO

NEW LP FROM JONAS REINGOLD’S KARMAKANIC

Jonas Reingold, one of the most distinguished of prog bassists, has been joined by impressive roster of guests as he returns on March 7 with Transmutation, his sixth solo album under the Karmakanic banner. Available on CD, vinyl and streaming services, the album is released on Reingold Records. Alongside guitarist Steve Hackett, Reingold is augmented by drummers Simon Phillips (Toto, The Who), Nick D’Virgilio, (Big Big Train, Spock’s Beard) and Craig Blundell (Steven Wilson, Frost*), as well as singer John Mitchell and Randy McStine on lead guitar. Says Reingold, “I have to pinch my arm thinking who’s actually on the album. All heroes of mine and I’m truly humbled and thankful that they have given me a part of their talent to shape this album. It’s truly a joint venture.…

NEW LP FROM JONAS REINGOLD’S KARMAKANIC

SECOND ALBUM FROM ENVY OF NONE

As they return with their second album, Stygian Wavz, on March 14 via Kscope, Envy Of None bassist Andy Curran has credited a process of evolution that has seen the supergroup – which also features Rush guitarist Alex Lifeson, singer Maiah Wayne and guitarist and keyboardist Alfio Annibalini – move from being a remotely-based project to working in the studio together through to entertaining ideas of actually playing live. In fact, he says they could now be called a band. “You can use the b-word,” laughs Curran from his base in Toronto. He credits Lifeson as being the driving force for the creation of a new album after the recording of 2023’s That Was Then EP. “The most vocal person was Alex Lifeson going, ‘Come on, guys – let’s do…

SECOND ALBUM FROM ENVY OF NONE

GLEB KOLYADIN OFFERS ESCAPISM

Iamthemorning pianist Gleb Kolyadin will release his fourth solo LP, Mobula, on February 28 via Kscope and hopes its “dreamy” soundscapes can provide escapism from a gloomy world. “People usually love to know what this music about and most of the time I don’t have any answers,” he says with a laugh. “My writing is very subconscious: I don’t have specific pictures in my mind, but there is something very dreamy about this music, and it has an escapist style. It’s not based on reality, I want to let the listener create their own fictional world.” For the record’s genesis, he dived into a dizzying collection of “500 song drafts,” plucking from them simpler songs, “to make it easier on the listener,” and contrast its “very proggy” predecessor, 2022’s The Outland.…

GLEB KOLYADIN OFFERS ESCAPISM

ALL-STAR CAST JOIN HELD BY TREES FOR SECOND LP

A host of big names are joining Held By Trees for their second album, Hinterland, which is out on vinyl and CD on TweedJacket Music on April 4. The digital version will be available via Bandcamp. Led by composer-producer David Joseph, the core of Held By Trees remains Talk Talk/Mark Hollis contributors Robbie McIntosh (guitar), Laurence Pendrous (piano) and Andy Panayi on flute and sax, as well as drummer Martin Ditcham and bassist Simon Edwards. This time, they’re augmented by Supergrass’s Rob Coombes (keyboards), Primal Scream’s Simone Marie Butler on synths and effects, Wire’s Matt Simms on guitar, Swans guitarist Norman Westberg and Slowdive’s Simon Scott providing field recordings. Contributing piano on four tracks is Mark Hollis’s son, Charlie. “The thrill of Held By Trees is bringing these musicians together…

ALL-STAR CAST JOIN HELD BY TREES FOR SECOND LP

HAKEN GUITARIST UNVEILS SECOND LP

“I couldn’t really see my name looking cool in a metal logo,” confesses Charlie Griffiths. For his second album, Gods Of Pangaea, Griffiths has adopted the monicker Tiktaalika, taken from the title of his 2022 solo debut. “This is very much a follow-up, so I wanted to make it clear it’s part of that lineage,” he says. “I had Dan Goldsworthy, who did the first album cover, do this one, and that’s his thing – old school, 90s-style death metal artwork. Putting my name in there became too cumbersome.” Alongside the album title, tracks like Mesozoic Mantras and Lost Continent reveal Griffiths’ long-standing enthusiasm for pre-history. “When you’re a kid, you love dinosaurs. At some point you forget how cool they are,” he says. “It connects back to that childlike…

HAKEN GUITARIST UNVEILS SECOND LP

WOLFGANG FLÜR ANNOUNCES TIMES

“I see myself like a director of a movie,” smiles Wolfgang Flür as he considers the roll call of collaborators who join him on his new album, Times, which is released via Cherry Red on March 28. “Directors know which crew they want to work with and I know exactly what I want from my collaborators. It’s good that we can communicate on the same level musically and as humans.” Times finds the former Kraftwerk member joined once again by the artists and musicians that he inspired back in the 70s and 80s. These include New Order bassist Peter Hook, techno pioneers Juan Atkins and U96, and Yello’s Boris Blank. Also joining him is former Daft Punk member Thomas Bangalter, who inspired two tracks on the album. “Thomas wrote to me…

WOLFGANG FLÜR ANNOUNCES TIMES

CIRCU5 EXPAND LINE-UP TO TRIO FOR UPCOMING ALBUM

British proggers Circu5 are set to return with their second album, Clockwork Tulpa, via ST Productions on March 7. Coming eight years after the release of their eponymous debut, the new record is their first release as a full band with founder member, guitarist and singer Steve Tilling recruiting Tin Spirits frontman Mark Kilminster on bass and backing vocal duties with drummer Lee Moulding completing the line-up. “With Mark and Lee in the band, Circu5 can now establish its own unique identity,” says Tilling. “I’m very excited about where we can take the band next.” Thematically, Clockwork Tulpa’s 10 songs continue the story of Grady, whose life has been moulded by the shadowy CIRCU5 organisation. “It’s not just storytelling,” he says. “It’s a reflection on how people navigate the trauma…

CIRCU5 EXPAND LINE-UP TO TRIO FOR UPCOMING ALBUM

DEVIALET ASTRA Hi-fi amplifiers are generally thought of as rather uninteresting objects, performing basic functions without drawing too much attention to themselves. French audio brand Devialet, however, have no truck with this kind of attitude. The exterior casing of this amp matches the finesse of the audio engineering within; inspired by Art Deco, it’s designed in partnership with the Opéra National de Paris and decorated with 23-carat gold leaf that’s hand-applied by master gilders at Les Ateliers Gohard. Yours for $27,000 (£21,269). Sorry, could you not put your mug of tea on it? Thanks. www.devialet.com BEHRINGER WAVE It’s been four years since Behringer trailed the imminent arrival of the Wave, a simulation (some might say knock-off) of the PPG Wave 2.2, a German-built synth from the mid-1980s that was beloved…

“Iron Butterfly came up on my radar because of hip-hop. I moved to New York in 2002 and got heavily into East Coast hip-hop. As a musician and a producer of my own material, I was interested in how rap groups utilised these amazing samples, mainly from 70s soul. I was doing geology of how they put their music together and their production values were so much more impactful than a typical white rock’n’roll record. And then Nas’s song, Thief’s Theme, came up and I was like, ‘That main riff has to be a sample – no way did they write that music!’ I started digging around and it was In-A-Gadda-Da-Vida by Iron Butterfly. So I went round to my friend’s house on St Mark’s Place and I said, ‘Have…

Celebrated Icelandic theremin player Hekla (right) returns with Turnar, released on March 14 via Phantom Limb. The album was recorded in rural France and she’s augmented by voice, cello and the church organ of Kristján Hrannar. She headlines Cafe Oto in London on March 5. For more see www.facebook.com/heklaheklahekla. Van der Graaf Generator’s 1978 album World Record is re-released as a double-CD and Blu-ray clamshell via Esoteric on March 28. The original album has been remastered and the second disc features a remix by Stephen W Tayler. The Blu-ray includes 5.1 surround sound and stereo mixes. See www.vandergraafgenerator.co.uk. Prog pioneers Camel are revisiting the 80s with the re-release of their 1984 live album Pressure Points: Live In Concert. It’s issued as a two-CD and Blu-ray set on March 28 via…

KANAAN & ÆVESTADEN

A SPECTACULAR COLLISION of contrasting worlds, Langt, Langt Vekk (‘Far, Far Away’) sees psychedelic drone rockers Kanaan team with sometimes trad, sometimes trippy folk act Ævestaden on their joint debut LP. “At first it was like a joke,” says Kenneth Lien, one of Ævestaden’s three multi-instrumentalists. “What if these very different bands joined forces?” As Kanaan guitarist Ask Vatn Strøm is the brother of Eir Vatn Strøm, lyre and Mellotron player with Ævestaden, there was a connection already, plus the two Norwegian trios were mutual fans. “We’ve seen Ævestaden play live a lot, and we love their albums,” confirms Kanaan’s drummer and vocalist Ingvald Vassbø. “We’d wanted to work with them for a while.” Chatting from their respective homes in Oslo, Lien and Vassbø paint a vivid picture of the…

KANAAN & ÆVESTADEN

(Food Records, 1993) With "the battling Gallagher brothers” (according to every tabloid newspaper in the land) set to dominate the news headlines this summer when the Oasis reunion rolls on with the inexorable precision of a military exercise to take up residence in the stadiums and enormodomes across the world, a pause is called for to consider a time before their entrance and the codification of Britpop to when their future chart rivals, Blur were grappling with the concept of Englishness in the face of grunge’s domination and their own potential demise. Chastened by indifference to their gruelling and disastrous 44-date tour of the USA in the spring of 1992, the domestic failure of standalone single Popscene to set the charts alight and the very real prospect of being dropped…

“I really think we found our sound with our third album, Solar,” says guitarist Damián Agurto as he considers the development of Crisálida. Based in Santiago, the prog metal band were formed in 1997 by singer and lyricist Cinthia Santibáñez and, having undergone a number of line-up changes, hit their stride with a combination of heavier contemporary sounds and lyrical concerns that embrace both their cultural heritage and the challenges facing the wider world. Along the way, their unique approach was recognised when Crisálida’s fourth album, Terra Ancestral, was awarded the prestigious Pulsar award for Best Metal Artist. Their new album, Niños Dioses, (‘Children Of The Gods’) is their most ambitious yet. “It’s about this sacrificial ceremony called Capacocha that the Incas practiced on the summits of the Andes, but they…

The The first four albums by Rush(right) for Atlantic - Presto (1989), Roll The Bones (1991), Counterparts (1993) and 1996’s Test For Echo, which all hit the UK Top 30 in the Official UK Album Charts at the time of release - have been re-released on vinyl and are out now. The latter two albums are double vinyl. See www.rush.com for more. Middle Earth 1967-1969- a 64-track compilation celebrating the eponymous and storied 60s London venue - is released as a triple-CD box set via Strawberry on March 21. Among the artists included are Family, Soft Machine, The Incredible String Band, and The Bonze Dog Doo-Dah Band. See www.cherryred.co.uk for more.…

HENGE AREN’T LIKE other bands. Henge are from outer space. A disparate band of space-travelling eccentrics, they’ve been steadily making their alien presence felt with music that combines mischievous, Cardiacs-like electro-punk with mind-expanding space rock grandeur and the frantic textures of 90s rave. Their new album Journey To Voltus B is destined to have a near-apocalyptic impact, at least among the terminally open-minded. As Henge’s leader Zpor explains, this strange band of interplanetary brothers have come to Earth to save humanity. “We received a distress signal through the astral realm, from a human now known to us as Grok,” he says. “He told us about the situation on Earth, that there was an epidemic of seriousness and humans needed our help. He guided us to a safe landing on your…

Official Progressive Albums Chart The prog top 30 albums January 2025 Compiled by 1 SLEEP TOKEN Take Me Back To Eden (SPINEFARM) 2 DAVID GILMOUR Luck And Strange (SONY MUSIC) 3 SLEEP TOKEN This Place Will Become Your Tomb (SPINEFARM) 4 OPETH The Last Will And Testament (REIGNING PHOENIX MUSIC) 5 PETER GABRIEL i/o (REAL WORLD RECORDS) 6 PINK FLOYD Animals (PINK FLOYD RECORDS/RHINO) 7 HAWKWIND Live At The Royal Albert Hall (CHERRY RED) 8 PUBLIC SERVICE BROADCASTING The Last Flight (SO RECORDINGS) 9 NIGHTWISH Yesterwynde (NUCLEAR BLAST) 10 MIKE OLDFIELD Tubular Bells – 50th Anniversary Edition (UMC) 11 GODSPEED YOU! BLACK EMPEROR No Title As Of… (CONSTELLATION) 12 GOAT Goat (ROCKET RECORDINGS) 13 OCEANSIZE Frames (KSCOPE) 14 ALAN PARSONS PROJECT Pyramid (COOKING VINYL) 15 ORB Orboretum – The Orb…

WIN! DREAM THEATER BUNDLE!

Dream Theater are back with their iconic line-up and a brand-new album to boot. We have a limited-edition package comprising three different formats of Parasomnia to give away to one lucky reader – turn to p88 of this issue to read our review of it. James LaBrie, John Petrucci, John Myung and Jordan Rudess have reunited with drummer Mike Portnoy for the first time in the studio since 2009’s Black Clouds & Silver Linings and the results are spectacular. Listen for yourself on the limited deluxe two-CD plus Blu-ray Artbook, which includes a disc of instrumental versions, Dolby Amos, 5.1 and hi-resolution mixes plus animated visualisers for each song and a 68-page booklet. InsideOutMusic have also added the two-LP clear gatefold vinyl and an ultra-rare blue marbled vinyl edition to…

WIN! DREAM THEATER BUNDLE!

KÁRI HARALDSSON SPENDS his daytime soundtracking Icelandic films and TV shows. At night, he turns to his categorise-it-if-you-dare passion project, Múr. Grounded by the emotionally driven ambient textures that define his scores, his band use extreme dynamic changes as pawns for their Machiavellian storytelling. Icy electronic soundscapes play off Opeth-tinted melancholia, jazz and post-rock off Meshuggah-minded technical brutality, each change meticulously crafted. But, despite freely experimenting with such heavy sounds, Múr shirk away from the metal band tag. “I write from the approach of atmosphere and mood first,” says keyboardist/vocalist Haraldsson. “Metal is a tool to enhance the emotions and make it hit harder. It’s great for emotional intensity. Before this band, I’d never written heavy music before.” In a sense, this is metal music for those otherwise averse to…

“WE’VE ALWAYS BEEN fiercely independent and that’s one thing we did carry over from the punk scene.” Surprising words from a prog band, perhaps, but Third Quadrant had a different beginning, as drummer Chris Hare explains. The northwest-based band retain the DIY aesthetic that informed a lot of the music that came out of teenage bedrooms in the late 1970s and early 1980s, whether it was punk, metal or indeed progressive rock. They formed more than 40 years ago, releasing three well-received albums between 1981 and 1988 that unfortunately didn’t solicit the same attention as Marillion, IQ, Pallas or Pendragon. However, the band’s influences were somewhat different to those of their contemporaries, as keyboardist and vocalist Chris Dunn explains. “Although I was into Pink Floyd, Yes, and Genesis; Chris Hare…

Q&A DORIE JACKSON

Although best known as singer for UK proggers Kaprekar’s Constant, Dorie Jackson is also a solo artist. Her new album, Stupid Says Run, the follow-up to The Courting Ground, is filled with close harmonies and careful orchestral arrangements. Across 12 tracks, it demonstrates the confidence and maturity she’s developed over the course of her career. Blending folk, rock and prog influences with inspiration from folklore, myth and everyday life, the album is a brilliant accumulation of sound and storytelling that’s been created with support from Kaprekar’s members Mike Westergaard, Mark Walker, Nick Jefferson and Al Nicholson. Jackson’s father, former Van der Graaf Generator saxophonist David Jackson, also features on the album and multi-instrumentalist Toby Shaer makes a guest appearance. Outside of her work with Kaprekar’s Constant, Jackson has performed backing…

Q&A DORIE JACKSON

IN MEMORY OF JON CAMP

Jon Camp, best known as the bass player for symphonic progressive rockers Renaissance, died on December 13, 2024, aged 75. He joined Renaissance in 1972, when he replaced the late John Wetton, himself in a run of short-lived bassists that played with the band as they morphed from their original Keith and Jane Relf-led incarnation to the line-up that recorded many of their best-known and loved albums. That run also included Animals bassist Danny McCulloch and early Supertramp bassist Frank Farrell. Camp first appeared on Renaissance’s third album, 1972’s Prologue, which also featured Haslam, drummer Terry Sullivan and keyboard player John Tout, and was still in the band, alongside Haslam and guitarist Michael Dunford, for 1983’s more mainstream Time-Line release. “It is with great sadness that Jon Camp, our incomparable…

IN MEMORY OF JON CAMP

The PROG READERS’ POLL 2024

A new year and the results of a new Readers’ Poll! There were a few firsts this year, not least it was the first time we did this totally online, meaning no hours of counting up the votes, recounting, checking again, having nightmares and recounting. It seems most people found this the easiest way to vote as we had a record number of entries this year. The results also sprang more than a few surprises, as you are about to discover. As always, a big thanks to everyone who voted in the poll, congratulations to all the nominees and a huge round of applause to those who topped their respective categories. This, then, was your prog year for 2024. Here’s to even more diverse 2025! BEST BAND/ARTIST 1. SOLSTICE 2.…

The PROG READERS’ POLL 2024

Ladies And Gentlemen, We Are Floating In Space

“People who like more progressive, more conceptual rock music, they’re much more open-minded than they perhaps they even might give themselves credit for sometimes.” There’s a phenomenon that affects astronauts when they travel into space and look back at the Earth. It’s called The Overview Effect. “It’s reportedly a cognitive shift that occurs that’s to do with perspective and how they feel about their lives,” says Steven Wilson, a man who hasn’t been into space yet but has thought about The Overview Effect a lot over the last couple of years. “A mental perspective – quite literally having an overview of where we fit in time and space, or some inkling of it, and understanding in a split second of just how insignificant we are.” The Overview Effect affects different…

Ladies And Gentlemen, We Are Floating In Space

Andy Partridge was in the bath when he listened to The Overview from start to finish for the first time.“My laptop was on the toilet, lid down, obviously,” he says. “I lay there, toying with my loofah, so to speak, and I thought, ‘Jesus, this is gigantic-sounding.’” The former XTC man deserves a little of the credit. He was enlisted by Steven Wilson – a devotee of Partridge’s old band – to write lyrics for Objects: Meanwhile, one of the sequences in the first of the album’s two tracks, which contrasts fleeting human dramas taking place on the streets of an English town – from splitting grocery bags to the aftermath of a break-up or bereavement – with things much, much bigger. “I thought, ‘Jesus, this is gigantic-sounding.’” “He said,…

“We’re really going to the end of the universe and back…”

Fittingly for an album with such ambitious scope, The Overview will be accompanied by a full-length video mirroring its two tracks. It’s being created by visual artist and regular Wilson collaborator Miles Skarin, whose previous work with the singer includes the memorable, deepfake-inspired video for Self from The Future Bites and promos from Porcupine Tree’s Closure/Continuation album. “He said, ‘It’s going to be two pieces of music, mainly focused around the perspective of the human race in comparison this crazy cosmic scale which we find ourselves in,’” says Skarin, who first encountered Wilson’s music in 2021. “We wanted something that really showed that.” “There’s a lot of crazy visual effects in there, a lot of new techniques.” At the time of going to press, Prog had seen the 23-minute animated…

“We’re really going to the end of the universe and back…”

LIFTING SHADOWS OFF A Dream

“My regret was not leaving the band; the regret is that it took so long to reunite. Now that we’re back together, it feels so natural, so good and so right. I just wish it had happened sooner.” For over a decade, the chances of drummer Mike Portnoy returning to the band he co-founded back in 1985 appeared to be remote. But with a gradual warming of relations between members, and Portnoy working on Dream Theater guitarist John Petrucci’s second solo album, there seemed to be an unstoppable momentum and inevitability about his return to the band in late 2023. The timing was perfect, with Dream Theater celebrating their 40th anniversary this year. “It’s interesting you brought up the word ‘inevitable’ because I’ve used that word myself a few times…

LIFTING SHADOWS OFF A Dream

RECURRING DREAMS

Turning 50 last May was more than just an age thing for Matt Berry. His half-century milestone also happened to coincide with the end of his successful run in TV comedy-horror What We Do In The Shadows. Berry had been a central part of the series, playing pansexual vampire Laszlo Cravensworth, for more than five years. “I turned 50 on the last day that I filmed anything for that show,” he tells Prog. “So, that was a significant day for me. I hadn’t done it consciously, but everything I’d been writing from the year before was all geared around that. When I look back, it’s all pointing in that direction. I think certain things happen to you that force you to progress.” This subconscious reassessment of life and work fed…

RECURRING DREAMS

Dig The New Breed

“You can’t have it being too much on the ears, you know, you need moments like Yes had with the ‘I get up, I get down’ section on Close To The Edge.” Musical genres can gradually fade away, as the more prominent protagonists age gracefully and commence thoughts of retirement. Prog rock isn’t exempt from that potentially worrying atrophy, but fortunately there’s an ongoing resurgence led by younger artists who are providing a necessary reinvigoration to the scene. Jon Anderson & The Band Geeks is one example of an established artist working with unknown, but extremely capable, musicians, and Neal Morse’s new recording, collaborating with a team billed as The Resonance, has also adopted a similarly ambitious approach. Morse is renowned for possessing a level of creativity that dwarfs other…

Dig The New Breed

An Accidental Decade

In true prog fashion, it all started with a musical box, the one in the opening sequence to Camberwick Green, the 1960s children’s animated TV series. Followed in quick succession by Trumpton and Chigley, the memories these childhood shows evoked inspired Peter Jones to write the song that defines Tiger Moth Tales’ debut album, Cocoon. Jones developed and elongated the catchy tune accompanying the revolving musical box and emerging puppet figures, turning it into TMT’s now-classic A Visit To Chigwick. It’s now joined on Cocoon’s 10th-anniversary edition by a companion piece, the autobiographical Return To Chigwick. In it, Jones reflects on TMT’s “accidental” decade, one for which he is eternally grateful, and especially for the continuing devotion of his faithful fans, the Mothingtons. Not surprisingly, Prog finds Jones in an…

An Accidental Decade

“I didn’t just walk away from Nightwish. I walked away from everything. I left my home in Finland and got a place in Spain, in order to be cut off from everything so I could figure out what the problem was.” “Prog is not that visible in Finland… but it has a lot of fans!” chuckles Marko Hietala, whose love of all things progressive goes back to a formative experience as a kid in the sub-Arctic Finnish town of Kuopio. “My dad used to be a jazz freak, but he got hooked on Jethro Tull’s acoustic music, and after that he started listening to guitar solos. You know, the more the mainstream becomes more about simple music, the more that people who like complex music will move away from it.…

Hell Ain't A Bad Place To Be

It’s been 30 years since Stuart Braithwaite, Dominic Aitchison and Martin Bulloch formed a band in Glasgow. In 1995, nobody could have had any inkling that a group playing mostly instrumental post-rock would make it to the top of the UK charts (with As The Love Continues in February 2021). Mogwai’s success is as surprising as it is heartwarming, and proof that independently-minded artists can sometimes prosper by sticking to their musical principles. Mogwai have had a good run from almost the beginning, charting from the off with 1997’s Mogwai Young Team, while their homespun label Rock Action has proved durable, these days boasting an ever-expanding roster that includes Kathryn Joseph, Arab Strap and Bdrmm. So, how does Braithwaite feel about the fact that Mogwai are still here and seemingly…

Hell Ain't A Bad Place To Be

In the early 90s, progressive rock was beginning to sprout a few green shoots of recovery. Sustained by its own global community of die-hard fans and musicians, it was firmly off the mainstream radar, and many of those who successfully contributed to its rebirth were operating alone, unknowingly anticipating the arrival of the internet to make everything a lot easier. In Norway, which already had a rich tradition of prog bands, a very young Jacob-Holm Lupo was beginning to explore his own love of adventurous rock music. Now known as the man behind White Willow and a host of other notable projects, he started his life as a prog musician with no expectations whatsoever. “We were not aware of any kind of global prog scene at all, actually,” he says…

Rite Here, Rite Now

“We’ve stuck together for a long time, and people often comment that we still have the same line-up, and that it’s crazy. Maybe it is, but we will always be the same line-up. It’s a guarantee that the band’s personality will stay intact.” One of Sweden’s most distinctive modern prog bands, Ritual formed in 1992 and were firmly ahead of the game from the start. Inspired by the prog legends of the 60s and 70s and more modern exponents of the art, such as It Bites and XTC, they steadily evolved into a melodic and endlessly inventive powerhouse, with a curious obsession with Finnish legend Tove Jansson’s Moomin stories and a fervently diverse musical palette. Their first four albums are all magnificent, and the last of them – 2007’s The…

Rite Here, Rite Now

THE PROG INTERVIEW BILL BRUFORD

In 2001, Bill Bruford’s Earthworks released an album called The Sound Of Surprise, and it’s fair to say the drummer has delivered more than his fair share of surprises across a career that’s now in its seventh decade and has included some of the most significant groups in progressive rock along the way. Yet the biggest eye-raising moment for many was his retirement from live playing, which he announced to coincide with the publication of his autobiography, Bill Bruford: The Autobiography. Yes, King Crimson, Earthworks, And More, in 2009. He decided to follow a path into academia, and after several years of hard work he received a PhD from the University of Surrey in 2016, and in 2018 his treatise on creativity in the context of popular music instrumental performance,…

THE PROG INTERVIEW BILL BRUFORD

Poor old Mike Mangini. The supremely gifted drummer provided the engine in the Dream Theater chassis for 13 years, powering through a string of never less-than-interesting albums and one Grammy award. Yet, all it took was the announcement in 2023 that founding drummer Mike Portnoy was returning to the fold for the band’s fanbase to lose their collective mind and Mangini found himself bundled hastily out the door. For his part, he’s said all the right things, his departure free of public rancour. It seems that even he knows some bands have a definitive line-up that every fan wants to see and for Dream Theater this is it. In some ways it could be seen as a step backwards. The band tried some new moves on the four albums released…

Third album from well-connected, cinematically inclined Norwegians. There’s nothing like a bit of patronage to give a new act a leg up. Oslo-based art-rockers Dim Gray impressed older generations of musicians early in their career, securing a deal with English Electric Recordings and tour supports with label owners Big Big Train, as well as opening for Marillion on several occasions. Keyboard player and vocalist Oskar Holldorff has since joined BBT, but for him and his bandmates (here expanded to a five-piece) their third album justifies such high-profile endorsements. “The drama has been cranked up since their last album.” The drama has been cranked up noticeably since 2022’s Firmament. While that felt like a record dealing with the isolation of the Covid years, Shards seems to have a less inward perspective,…

Drama and bombast as long-lost Germans re-emerge from the wilderness. Sixteen years have slipped by since Everon’s last album, 2008’s North. Shells sees the reunification of the line-up that recorded that album, namely vocalist Oliver Philipps, bass player Schymy, guitarist Ulli Hoever and drummer Christian ‘Moschus’ Moos. Sadly, Moos passed away having completed eight of the tracks here, so Jason Gianni, who has recorded with Neal Morse and Trans-Siberian Orchestra, finished the remainder of the album. “They’ve lost none of their passion or power.” Musically, Shells sees Everon pick up right where they left off. Opener No Embrace sets the mood, combining catchy melodies with sweeping grandiosity. The production is bright and very modern, with a mix that pushes everything right to the front. It’s an unapologetically assertive sound and…

Singer-songwriter returns with her darkest, most satisfying work to date. The myths and legends of ancient Greece have long proved to be fertile ground for those harvesting it for inspiration, from Rush to Seven Impale. But so, too, has the literature of the time, albeit on a smaller scale, and drawing from that tradition comes The Distaff, the fourth studio album from Spanish-born, Edinburgh-based singer, songwriter and multi-instrumentalist Amaya López-Carromero, aka Maud The Moth. “A sonic journey that rises and falls with a sense of drama.” Partly inspired by the ancient Greek poet Erinna, whose celebrated work The Distaff lamented the loss of her friend’s individuality and eventual death as a result of marriage and the expectations of patriarchal demands, López-Carromero also flavours the album with aspects of her own…

Ex-Nightwish man returns to proggier waters on second solo album. They may have emerged from the metal scene, but Nightwish have always been a band with a progressive heart. The Finns have explored concepts that swing from the whimsical fantasy of Imaginaerum to the hard science of Endless Forms Most Beautiful, the latter complete with an appearance from evolutionary biologist Richard Dawkins. They’ve done so with a compositional approach to songwriting that incorporates symphonic and folk elements, complex layers of melody and expansive banks of keyboards. “His enduring love remains a mix of prog and vintage metal.” When long-time Nightwish bassist and co-vocalist Marko Hietala released his debut solo album, Pyre Of The Black Heart, in 2019, he referred to it as ‘hard prog’. Now that he’s left the band…

Fractal Sextet’s Sky Full Of Hope (RareNoise) is an international project featuring the guitars of Swiss composer Stephan Thelen and American Jon Durant, Italian keyboardist Fabio Anile, Israeli drummer Yogev Gabay, Swiss percussionist Andi Pupato and ex-Porcupine Tree bassist Colin Edwin. Their combined talents produce an expansive, articulate series of compositions. While the disciplined interplay of their 2022 debut remains, this new album feels less stiff and more off-the-leash, with surges of pitch-bending synths and molten guitar all stretching out and racing towards a trippy, hypnotic state of contemplation. The brainchild of Jaga Jazzist drummer Martin Horntveth, Gouldian Finch’s Schizo (All Ape) has a manic everything-all-at-once energy that is a homage to the rich sounds of old-school fusion and funk. Handbrake turns of texture and meter are flawlessly executed by…

Another classy affair from the Iamthemorning pianist. A lot has happened in pianist and composer Gleb Kolyadin’s life since his last solo album, 2022’s The Outland. In early 2024, while playing as a touring musician with dissident Russian rock group Bi-2, he was jailed along with several of his bandmates, allegedly for performing without a work permit, though Bi-2’s anti-war activism suggested Moscow may have had a hand in it. There were threats of deportation back to Russia for Kolyadin, who moved to the UK in 2022, though this was averted thanks in a large part to a petition organised by his Iamthemorning bandmate Marjana Semkina and the resultant global news coverage. “A rich tapestry of instrumental wonder.” From adversity has come beauty, it seems. His fourth solo album, Mobula…

PROGRESSIVE METAL

Those who have marvelled at Blood Incantation’s astonishing Absolute Elsewhere will be similarly flabbergasted by Bedsore. Formerly a highly creative death metal band, the Italians have fully embraced old-school prog on their second album, Dreaming The Strife For Love (20 Buck Spin). Extreme elements are still a vital part of their sound, but this is a prog album from top to toe. Based on Hypnerotomachia Poliphili, an allegorical fantasy written by Dominican priest Francesco Colonna, first published in 1499, Bedsore’s newly enlightened brutality bravely wades into dark prog territory and proudly stays there, as vicious riffing and fusty, analogue keyboards collide in an explosion of fervently oddball ingenuity. Extreme vocals remain a sticking point for many prog fans, which makes First Fragment’s decision to reissue their two full-length albums in…

PROGRESSIVE METAL

Polish prog metallers loosen up on fourth live album of their 23-year career. When resilient Riverside released their eighth studio album ID.Entity in 2023, it served not just to demonstrate their ongoing ability to make their songs stride and soar, but as proof that they were survivors. The death of guitarist Piotr Grudziński in 2016 had naturally unsettled them, but the river has kept on flowing, with two albums since and Maciej Meller now a full member. Vocalist/bassist Mariusz Duda has simultaneously worked through some feelings, notably concerning lockdown-compounded claustrophobia, on his electronica-based solo records and Lunatic Soul project. They’ve let go of a degree of preciousness. Live ID makes sense as a kind of catharsis; a celebration – however dark the music’s themes – that the Polish band are…

AND LAST BUT NOT LEAST

An album of depth and quality, John Greenwood’s Dark Blue was one of the nicer surprises of 2023, but the Unitopia guitarist now excels himself with The Boy (Bandcamp). This majestic, “vicariously autobiographical” concept album is beautifully recorded, packed with memorable melodies, retro synths, quality string parts and eloquent guitars. The engrossing, six-part story – about the titular boy yearning for escape from a scorched Earth – is brought to life by its narrator, actor Mark Addy (of Game Of Thrones and The Full Monty). Fans of Steve Hackett and Cosmograf will find much to savour here. Based in San Diego, California, Mrs. Henry are best known as a high-end tribute act dedicated to The Band, but for their latest outing they’ve gone prog. Keep On Rising (Bandcamp) is their…

AND LAST BUT NOT LEAST

Essential reissues from underrated heroes of the classic progressive era. Camel never quite made it into prog’s top flight, but they remain hugely influential, and no progressive rock collection is complete without Mirage or Moonmadness. Originally available on 2023’s retrospective Air Born box set, these remastered and remixed versions of arguably their best two albums have now been released as standalone items for the discerning consumer. “Bypasses the brain and goes straight for the heart.” Both albums are presented here as two-CD plus Blu-ray boxes, including plenty of unreleased extra tracks, plus new stereo and 5.1 mixes from Stephen W Tayler, who’s surely mounting a serious challenge to Steven Wilson as the hardest working remixer in prog. Tayler has already done exemplary work for the likes of Van der Graaf…

The weird, wonderful world of perverse polymath pair. When Godley & Creme premièred their 1977 debut concept album Consequences to their record company at a church in Amsterdam, several of the sales team fell asleep before the halfway mark. At just shy of two hours, that baffling, indulgent folly remains one of the most impenetrable records created by people who were nominally pop stars, having bossed much of the decade as half of the inventive yet usually accessible 10cc. “It’s almost as if they were erratic, wilful geniuses.” The duo’s decision to bet the farm on this peculiar passion project was ridiculed as they emerged blinking from 18 months in the studio to find Britain had gone punk, and the last thing it wanted was what Kevin Godley later described…

KRAUTROCK ERUPTION - AN ALTERNATIVE HISTORY OF GERMAN UNDERGROUND IN THE 60S AND 70S

A serious look at a fascinating genre from someone who lived through it. For such a slender and frequently indefinable genre, there’s been no shortage of significant books on krautrock since Julian Cope’s landmark Krautrocksampler: One Head’s Guide To The Great Kosmische Musik – 1968 Onwards, was published in 1995. It’s been fascinating to notehow the perception of the genre has changed since then – in the main, it was all Tangerine Dream and Kraftwerk; now people talk about Neu! and Can as if they were in everyone’s record collections at the time. “There’s an authority and authenticity in his writing.” Originally published in Germany in 2016, what makes Krautrock Eruption: An Alternative History Of German Underground In The 60s and 70s different from other books is that Wolfgang Seidel…

KRAUTROCK ERUPTION - AN ALTERNATIVE HISTORY OF GERMAN UNDERGROUND IN THE 60S AND 70S

IQ VENUE ISLINGTON ASSEMBLY HALL, LONDON DATE 21/12/2024 It’s encore time at what has been a quite astounding Christmas show from IQ, and in keeping with a long-standing tradition, the band are preparing to bestow one of their 100 Club T-shirts on fan Malcolm Barden, who tonight has racked up the impressive 100th IQ gig milestone. Singer Peter Nicholls finds Barden in the crowd and ushers him stagewards. And we wait to applaud this momentous occasion. And wait. And wait. Just as Prog chuckles to our gig-going buddy that he’s probably been stopped by a jobsworth bouncer, it appears that this is exactly what has happened. Nicholls implores, the crowd boo but, hopelessly failing to read the moment and over-inflating his sense of self-importance, Mr Jobsworth remains unmoved. Eventually bassist Tim…

VENUE ELECTRIC BRIXTON, LONDON DATE 11/12/2024 On this cold and wet December evening, the streets are swarming with shoppers and festive music is blasting out at every corner. Prog spots a couple of blackgaze kindred spirits in the distance and knows that tonight’s venue can’t be far. The sold-out Electric Brixton is buzzing with excitement for Alcest; it’s their first London show in four years. The French duo have come a long way since they played in the capital’s Purple Turtle pub in 2012: their current European tour has even seen them play at the iconic Parisian venue L’Olympia, the most famous concert hall in France and arguably a bucketlist achievement for any aspiring French musician. Komorebi’s gently thumping and melodic opening notes are like a warm embrace. Described as…

OZRIC TENTACLES/THE ORB

VENUE O2 FORUM KENTISH TOWN, LONDON DATE 07/12/2024 Outside the venue tonight, a street lamp has been ripped out of the ground by Storm Darragh, lying perpendicular and purposeless against a damaged roof on the Highgate Road. Such biblical weather will make the interior of the O2 Forum feel all the more womblike and safe when The Orb and Ozric Tentacles are at the helm for the evening. Sounds will bend rather than break, and visuals will twist and morph and disintegrate before the audience’s collective eyes. Aside from being filed alongside each other in any discerning record collection, these artists beginning with ‘O’ are strange but complimentary bedfellows, both seeking to achieve similar psychedelic ends by different means. There’s a strong sense of continuity, too, with the audio-visual sensory…

OZRIC TENTACLES/THE ORB

VENUE O2 RITZ, MANCHESTER DATE 09/12/2024 Brooklyn’s DIIV may not be familiar to all Prog readers, but they share a lineage with plenty of bands that are. Based on tonight’s evidence, as they continue to support their ambitious fourth LP, Frog In Boiling Water, it’s time they’re thought of differently, having brought the house down with their fuzzy, shoegaze anthems. Initially conceived as guitarist/vocalist Zachary Cole Smith’s solo project in 2011, they’ve since evolved into a band proper dedicated to a love of post-rock, rever-bdrenched atmospherics and shimmering, effects-warbled guitars. Smith cut his teeth playing in psychrock bands – as both a guitarist and a drummer – before starting DIIV, and that influence echoes through their tight, focused performance set. The spirit of Can careens through the bass-driven grooves and…

LOOKING GLASS ALICE

VENUE THE BLUE BASEMENT IN THIRD MAN RECORDS, LONDON DATE 12/06/2024 The stars are aligning for Looking Glass Alice tonight. And that they find themselves playing the Blue Basement of Jack White’s Third Man Records shop – just a stone’s throw from Carnaby Street in the heart of Soho – is wholly appropriate, given that they’ve been operating with stealth and guile from the more colourful corners of the psychedelic underground since their formation in 2022. With their album, First Flights (2024) quickly selling out, they’ve also snuck out guerilla remixes of Liam Gallagher and The Last Dinner Party as well as sanctioned re-swizzles for The Horrors and Gruff Rhys among others while also enjoying the patronage of Jane Weaver. Not bad for an outfit flying under the radar. The…

VENUE CADOGAN HALL, LONDON DATE 20/12/2024 For good or for ill, the classically trained Rick Wakeman will forever be known for his keyboard work with prog pioneers Yes at the height of their planet-straddling powers and the pomp – though his detractors would doubtless call it pomposity – of his mid-70s solo releases inspired by history, literature and folklore. But lest we forget, he’s also a composer, collaborator and session musician, whose fingerprints are indelibly stamped across a variety of classic hits well beyond the prog milieu for which he’s most celebrated. To another generation entirely, he’s the grumpiest of old men whose largely comedic incredulity at modern life was broadcast into the living rooms of the nation when scheduled programming was still a thing. And tonight, on the final…

VENUE THE BEDFORD, LONDON DATE 17/12/2024 Not all gigs in December are Christmas shows – however, given that the equipment onstage tonight looks like it’s been caught in a minor explosion in a tinsel factory, there can be little doubt about this one. The theme extends to the band, as well: would-be angels attired in white complete with glitzy ersatz haloes. For his now regular Yuletide event, the mercurial, multitalented and always mellifluous That Joe Payne is performing a set of bona fide Christmas songs, pop hits, the odd carol and a selection of his own tunes drawing liberally from his 2022 Christmas album, Ding Dong. In a sparkling tailcoat suit and glittering shoes, every inch a camp, fabulous Master of Ceremonies, he opens with a beautifully touching rendition of…

TOYAH & ROBERT’S CHRISTMAS PARTY

VENUE INDIGO AT THE O2, LONDON DATE 20/12/2024 What spawned from an unexpected moment of global virality has become a fully-fledged UK adventure for Robert Fripp and Toyah Wilcox, who are being a little bit silly with each other in public once more. It can only be their Christmas tour for the Sunday Lunch Rock Party. Showcasing the chemistry of their long-standing marriage, Sunday Lunch started during lockdown as a way of the pair providing some comic relief during what were dark days by performing short covers of timeless songs such as Enter Sandman, Sharp Dressed Man, Rockin’ In The Free World and many more. It’s been so successful that they’ve continued with it and tonight, they play at one of the O2 complex’s smaller venues. Next door, at the…

TRANS-SIBERIAN ORCHESTRA

VENUE WELLS FARGO CENTER, PHILADELPHIA, PA, USA DATE 22/12/2024 Known for their equally exhilarating and touching fusion of seasonally-themed narratives, neoclassical prog metal and elaborate imagery, Savatage offshoot Trans-Siberian Orchestra’s live sets have been an essential part of the US Christmas season for 25 years. Tonight’s show is no exception, as the band honour 2004’s The Lost Christmas Eve record (alongside miscellaneous classics) with all the endearing songwriting, virtuosic playing, topnotch singing and mind-blowing visuals fans expect. It’s an extremely immersive and profound journey whose spectacular sights and sounds excel at warming attendees’ hearts. After kicking things off with Savatage’s Welcome and their own Moonlight And Madness, TSO’s vast array of male and female musicians and vocalists – including Symphony X frontman Russell Allen – launch into a captivating, if…

TRANS-SIBERIAN ORCHESTRA

VENUE REBELLION, MANCHESTER DATE 16/12/2024 As the old saying goes, one should dress for the job they want, not for the one they have. Perhaps, then, Sweden’s introspective progressive metal quartet Evergrey have taken that lesson to heart. They play to a decent crowd tonight, especially for a blustery Monday night so close to Christmas, but the stage show they bring and the seismic sound they deliver smacks of a band that, in terms of product at least, have long since outgrown such intimate confines. They’re at the tail end of a gruelling tour: this is date 41 of 47 of a relentless schedule that will see the band return home on Christmas Eve and collapse, at last, on their respective sofas. The wear and tear of the road, though,…

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Where’s home? I live in Bologna, Italy. What’s your earliest prog memory? When I was a child, my older brother listened to records by the likes of Yes, Genesis, ELP and Pink Floyd. This music – which at the time was simply called ‘pop’ – filled the whole house and created a kind of soundtrack of our daily lives. I must have absorbed it, because it re-emerged when I started making music myself. What was your first prog album? The Lamb Lies Down On Broadway by Genesis. I bought it in Paris when I was 16 or so and it was a great purchase! It’s a masterpiece that I have listened to dozens and dozens of times over the years. And the most recent? Time Voyager by Barock Project. An…

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