JETHRO TULL

Ian Anderson draws on Viking mythology on the follow-up to The Zealot Gene – but no one’s living in the past on Tull’s 23rd album.

Sid Smith, Dave Everley

prog.reviews@futurenet.com When Ian Anderson began treading the boards in the early 1960s, there was never any expectation that bashing out a few blues standards could lead to something like a proper career. Pop stars came and went – even The Beatles thought all the fuss would blow over soon enough. If they were lucky they’d make a few hits, meet a few stars, have a few laughs and bank a few stories to tell the customers frequenting the shop they’d probably open in their settled-down post-pop life. Well, that might have been the theory back then but somebody must have forgotten to pass the memo on to Anderson. Driven by a fearsome, unrelenting work ethic for more than half a century, the singing flautist and the current incarnation of Jethro…

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Prog (Digital) - 1 Issue, Issue 139

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