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Professional Photography March 1st, 2017 Digital Back Issue Cover

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28 Articles

LETTER FROM THE ART EDITOR

This welcome page is usually written by Professional Photography’s editor, Emma-Lily Pendleton. But this month, she’s handed it over to me, its art editor, for my perspective on this issue. And why not? We art bods are the unsung heroes of the magazine world (if you ask me). We play a major part in putting together a well thought out and beautiful product every issue. This issue has been particularly challenging for me in a number of ways. I found it very emotional working on our Poulomi Basu feature on page 68, which showcases her project about girls in Nepal being exiled from their families and communities. I got so cross, and when choosing which images to use for the article the writer (Lottie Davies) had to rein me back…

LETTER FROM THE ART EDITOR

THIS MONTH’S FEATURED PROS

PETER DENCH PAGE 14 The Sunday Times stalwart discusses his ‘I Heart Consent’ cover image, for a story about the student campaign against sexual harassment. EAMONN DOYLE PAGE 36 “I just want to hold on to moments because everything is really fucking sad,” says the street photographer in this revealing interview. POULOMI BASU PAGE 68 Calcutta-born photographer Poulomi Basu explains how she’s using her camera to expose a vicious cycle of abuse taking place in areas of Nepal. BEN BRAIN PAGE 96 The editor of Digital Camera magazine shares his opinions on five of the latest photography books, including his issue pick, ZZYZX by Gregory Halpern. SARAH LEE PAGE 100 The contract freelance photographer for The Guardianand The Observer explains why she’s resisting the call for press photographers to create video.…

THIS MONTH’S FEATURED PROS

Planning for the future

I’ve left meetings with photographers wondering, why did I agree to see them? At the start of the year, there is a small window of time, just a few days, that’s truly glorious. Yes, January seems a distant memory now, but it’s still a wonderful one. I’m back at work in my job as a picture editor, but it’s quiet and the news feels far away. Some people are still on holiday and others in the office are doing the same as me: catching up on unanswered emails, going through lists of events for the year ahead, and planning. I picture photographers looking at the year ahead, finding competitions to enter, and seeking out submissions to make for exhibitions. Plus there’s that list of people to reach out to, connections…

Planning for the future

WIN A YEAR’S MEMBERSHIP TO THE PHOTOGRAPHERS’ GALLERY

Professional Photography has teamed up with The Photographers’ Gallery – the UK’s leading centre for photography in all its forms – to offer readers the chance of winning one of three annual Memberships. Members get: • Free unlimited entry to all exhibitions • Priority booking for all Talks & Events • Invitations to Private Views • 10% discount in our Café • 20% off your first Bookshop purchase • Regular e-news and updates For a chance to win just tell us which male sixties photographer was celebrated in an expansive retrospective at The Photographers’ Gallery in 2016? To enter visit: http://email.digitalcameraworld.com/k/ Future-Publishing/comp_tpg Images © Luke Stephenson, Crested Budgie #1, 2008 and Red Canary #2, 2009 from ‘The Incomplete Dictionary of Show Birds’. Terms & Conditions: Offer is only valid on full price…

WIN A YEAR’S MEMBERSHIP TO THE PHOTOGRAPHERS’ GALLERY

“SHE SEEMED OK, BUT WHO KNOWS HOW THE REST OF HER NIGHT PANNED OUT”

A Sunday Times stalwart for nearly two decades, photojournalist Peter Dench has produced more than his fair share of honest, and at times startling imagery for the broadsheet, capturing the best and worst of contemporary Britain. One of his more controversial magazine covers has thrown the spotlight on a national student campaign aimed at reducing sexual harassment. “Looking at my work, you can see there’s a lot of Britishness in it and a lot along the theme of alcohol,” says the 44-year-old. “So they knew that this commission would really suit me.” Teamed with journalist Katie Glass, Peter Dench headed to freshers’ weeks in Brighton and Bristol to investigate ‘The new rules of sex at University’. The impetus had been an ‘I Heart Consent’ campaign, spearheaded by the National Union of Students…

“SHE SEEMED OK, BUT WHO KNOWS HOW THE REST OF HER NIGHT PANNED OUT”

PEOPLE NEED TO BE SHOCKED

I was always into photography but my parents are both artists and they told me not to go into art because there’s no stability in it and you turn into a raving lunatic. They’re probably right. Incoming will be shown together with Heat Maps, a series of stills from the same project, which have been nominated for the Prix Pictet. Like Infra and The Enclave (the unforgettable, hot pink-hued photographic images and film that saw him represent Ireland in the Venice Biennale in 2013, win the Deutsche Börse prize in 2014, and score a Magnum nomination in 2015), Mosse’s latest project again takes a rare technology – this time a heat-sensitive, military-grade camera – and applies it to a subject in a way that radically shakes up our visual vocabulary. “We all…

PEOPLE NEED TO BE SHOCKED

Something really wonderful is going on

DOYLE wasn’t always a photographer. Despite having studied photography and painting at IADT in Dublin, for 20 years he barely touched a camera, having found himself unexpectedly thrown into a career in the music business. He travelled around the world DJ-ing, mostly in Europe and Asia, and ended up founding and running the Dublin Electronic Arts Festival as well as a record label and a recording studio. He was all set to be in music for the rest of his life, but then the recession came. “In late 2008, the crash hit in Ireland. We got hit first and worst. So I packed it in and bought a camera. I bought a Leica M7, although I’d never had a rangefinder before. And I pretty much just picked up from where I left off…

Something really wonderful is going on

LYS AN INTIMATE JOURNEY TO THE NORTH

SANDRA Bartocha and Werner Bollmann were already well established nature photographers in Germany when they first conceived the idea of working together on a major documentary that would “pay tribute to the Nordic light”. It was 2011 and Bollmann had just finished his first book, Nordische Momente: Tiergeschichten aus Taiga und Tundra (Nordic Moments: Animal Stories from Taiga and Tundra), a collaboration with fellow photographer Winfried Wisniewski. “I was still very fascinated about this region,” recalls Bollmann. “Sandra and I knew each other at this time and were good friends and what was very important was that we had the same opinions of aesthetics, we had the same ideas and we wanted to do something together about the North.” Bartocha was renowned for her ethereal compositions of plants and landscapes,…

LYS AN INTIMATE JOURNEY TO THE NORTH

ALL THAT REMAINS

USED TOOTHBRuSHES, a tampon, teddy bears, teargas canisters, worn-out clothes, a doll’s head, a burnt bicycle, a mattress, and a saw. It’s perhaps not the most alluring list of subjects. But given their context, multi-award-winning photographer Gideon Mendel has created a body of work that could very well become a generation-defining masterpiece. The title of Mendel’s new book, Dzhangal, is a Pashto term that translates as ‘this is the forest’ – the origin of the word ‘jungle’ to describe the Calais migrant camp that was forcibly closed last October. In it, Mendel presents over 40 thought-provoking images of discarded items he discovered at the camp. But as provocative and sensational as this project has become, it wasn’t actually what the first and current winner of the Pollock Prize for Creativity had…

ALL THAT REMAINS

“RED is the colour of purity and also the colour of sin.” Poulomi Basu grew up in Calcutta, in eastern India, in a traditionally patriarchal home, and much of her work springs from an anger and frustration with the roles of women that she observed as a child, and continues to study in her current work. “‘A Ritual of Exile’ is about blood, and the vicious cycle of abuse which blood creates,” she explains. “I see colour as a form of control, of abuse, for women.” Colour has a particular cultural importance in Indian culture, where the wearing of bright colours signifies happiness and celebration, while a widow can only wear white, the colour of death and mourning. “Both my mother and grandmother were child brides and became very young widows.…

SECRET LIVES OF CATS

They spend all their time asleep in cramped spaces, attacking anything that moves, looking disapproving and being scared of cucumbers. But apparently, the life of a cat is not as it seems. “The secret is that cats are jumping all the time, but they don’t want to do it in front of us,” says Vienna-based editorial and commercial photographer Daniel Gebhart de Koekkoek. Despite the fact that he’d worked on some peculiar projects in the past (from body builders to interior shots of an Austrian nuclear power plant), capturing the curious lives of cats in full fluffy-superhero-mode hadn’t been on his to-do list. But then he got approached by the German art publisher VfmK... “The publisher came to me and asked if I would like to do a calendar with them,”…

SECRET LIVES OF CATS

IN OUR image-steeped modern world, where anyone with a smartphone to hand can shoot a picture in a matter of seconds, Japanese photographer Daisuke Yokota’s assiduous artistic approach to the medium couldn’t be more at odds with its everyday usage. Over the course of hours, days, weeks, Yokota creates unique photographic prints and photobooks through a painstaking process of photographing, printing and rephotographing, dipping into a whole palate of often unusual digital and analogue processes to startlingly original effect. There’s been a buzz building around Yokota’s work for a couple of years now. In 2015 he won the first John Kobal residency award for an emerging artist at Photo London. Last year, in addition to clocking up group shows and art fairs in New York, Hong Kong and Dubai, he…

SHARE YOUR PHOTOGRAPHY, SUPPORT A CHARITY

PHOTOVOICE is an award-winning, UKbased charity that works across the world to harness the power of participatory photography for social change. Now PhotoVoice has teamed up with Professional Photography to promote an exciting photography competition. Every two months, photographers worldwide will be invited to submit images based on a theme inspired by PhotoVoice’s projects, past and present. The winner will have their images featured in the pages of Professional Photography, in PhotoVoice’s quarterly publication Photo Voices, and on PhotoVoice’s website, as well as receiving a small cash prize. All winning images will be showcased at an exhibition in 2017. THE THEME In recognition of International Women’s day, the March competition theme is Discovery. This theme was inspired by a participant of the PhotoVoice project ‘MAMPU’, which worked with women affected by…

SHARE YOUR PHOTOGRAPHY, SUPPORT A CHARITY

MARCH/ APRIL The Radical Eye: Modernist Photography from the Sir Elton John Collection Various artists Since the mid-1990s, Sir Elton John has been quietly building one of the world’s best private photography collections. Now a key part is going on display. Focussed on 1920-1950, the show features around 180 vintage photographs by more than 60 artists. They will include rare prints by photographers such as Man Ray, Edward Weston, André Kertész and Tina Modotti. Tate Modern, London £15 [Until 7 May] Wolfgang Tillmans Wolfgang Tillmans From intimate still-lifes and portraits, to images that address vital political issues, explore the photographs of this groundbreaking artist. Tate, London £11.30 [Until 11 June] Eli Lotar (1905-1969) Eli Lotar French photographer and cinematographer of Romanian origin, Eli Lotar arrived in France in 1924. His…

FAIRS & FESTIVALS

10-17 FEBRUARY PhotoFairs SF San Francisco, USA International galleries offer a curated exhibition of vintage and contemporary work by global artists. 10-17 FEBRUARY Gulf Photo Plus Dubai, UAE Dubai’s annual festival returns for Photo Week 2017, attracting the world’s leading photographers to teach the latest photography innovations and techniques. 18-21 MARCH The Photography Show Birmingham NEC, UK The UK’s largest photo show has a line-up of big names and unmissable sessions including speakers Albert Watson, Nadav Kander and Jill Furmanovsky. Visit photographyshow.com for the full line-up and more. 24 MARCH-23 APRIL FORMAT International Photography Festival London, UK Returning with a theme of ‘Habitat’, FORMAT will feature over 200 photographers in a global line-up of exhibitions, portfolio reviews, events, conferences, photobook markets and much more. 30 MARCH - 2 APRIL The Other Art…

FAIRS & FESTIVALS

ASK A GALLERIST

To be or not to be, that is the question. The question being, is TJ Boulting a photography gallery? And if not, why not? Our emphasis has always been on supporting emerging artists across all the mediums. But the question still comes up. And I feel the need to resist the definition, because for me a purely photography gallery is a different beast – and ultimately I believe it suits both the gallery and the artists we represent to be otherwise. Saying that, the background of the gallery itself is rooted in photography, coming from the publishing house Trolley Books, known for predominantly photobooks, often of hard-hitting photojournalism. Set up by Gigi Giannuzzi in 2001, I joined Trolley in 2005 when we were based in Redchurch Street, Shoreditch. With a background…

ASK A GALLERIST

1 Sibylle Bergemann Sibylle Bergemann To celebrate what would have Sibylle Bergemann’s 75th birthday, this book takes a thought-provoking look back at the Berlin-born photographer’s work. Bergemann took up photography in 1976, where she worked on magazines such as Sonntag and Sibylle in the former German Democratic Republic, and latterly for magazines such as GEO, Die Zeit, Der Spiegel, Stern and The New York Times. She produced a hugely diverse range of work, from fashion to documentary, which has been brought together in this publication. Bergemann’s work will be exhibited in three Berlin galleries this Spring: Kicken Berlin, Loock Galerie and Schauhallen. [Publisher] Kehrer [Price] €48 [Web] artbooksheidelberg.com 2 Passport By Alexander Chekmenev Between 1994-1995, Alexander Chekmenev was commissioned by social services to visit the elderly and ill in the Ukrainian…

THE PHOTOGRAPHERS’ GALLERY PICK

London-based Italian Giacomo Brunelli is a man of a bygone era: compassionate and filled with a sense of humanity that oozes through his work. As a child in Italy, Giacomo spent days alone, playing with the animals. Now Giacomo the man takes a vintage film camera and approaches these creatures, which populate the edges of the human realm without inhibition, just curiosity. Later, he returns to his darkroom and brings them to life on his black and white photo paper. Brunelli is one of a kind, and so is this book. Giacomo Brunelli: The Animals (new edition), published by Dewi Lewis, is available from The Photographers' Gallery in London for £25.…

THE PHOTOGRAPHERS’ GALLERY PICK

EDITOR’S CHOICE

ZZYZX (pronounced zye-zix) is widely recognised by the cognoscenti as one of 2016’s finest photo books. And with good reason. American-born and Rochester-based photographer Gregory Halpern (1977) spent five years working on this body of work. Titled after a village in the Mojave desert, Saint Bernardino County, Halpern’s photographs explore the Californian landscape in a non-specific but poignant representation of the area, accentuated by his sensitive sense of colour and subtle vision. Part landscape and part documentary, Halpern’s Californian topographies, urban scenes and portraits have an ambiguity and visceral mysteriousness. Often picking his Californian locations at random using Google Maps, Halpern shot around a thousand rolls of film to create this body of work. It was a chance encounter that ZZYZX landed on my desk the same day I visited…

EDITOR’S CHOICE

Should all stills photographers shoot video too?

“WHY I’VE RESISTED SHOOTING VIDEO” CASE STUDY Sarah Lee works as a contract-freelance photographer for both The Guardian and The Observer , specialising in portraiture, features and the arts. She’s also an official BAFTA photographer, and an ambassador for Leica. She doesn’t shoot video. “I like pictures-based work. That’s what I’ve always wanted to do. A photograph has a power,” she explains. “It has an emotional impact and eloquence. A kind of visual coherence.” Sarah’s interest in photography developed while studying Literature at university. But she wasn’t attracted to moving images in the same way. “I felt that they were two completely different disciplines. It didn’t look to me that it’s something you just pick up. “I do think that with many photographers, it’s…

Should all stills photographers shoot video too?

JILL FURMANOVSKY is a legend in the world of rock photography. There’s hardly a star she hasn’t photographed. Her images of Oasis, Pink Floyd, the Rolling Stones, and masses of others are central to our visual understanding of the icons of our time. Furmanovsky’s first studio was in Primrose Hill, London, “around the corner from Bailey actually”, and she has been based in her current place in Kentish Town since 2002. Behind big, blue roll shutters on an unassuming road, Furmanovksy and her small team of assistants look after Rockarchive, the rock photographer’s collective she set up 19 years ago, as well as her own collection of photographs. There are two spaces. One is for Rockarchive and features wooden floors, desks, phones, gorgeous framed prints and the darkroom, a small…

ROTOLIGHT ANOVA PRO

Continuous lighting / £1,140 / $1,500 / rotolight.com THE Anova Pro comes in two versions: the Bi-Color unit reviewed here, or a brighter, fixed-colour unit. The fixed-colour model offers useful 2EV (two stops) more illumination, but it’s matched to 5,600K and requires accessory filters to match different colour temperatures. The Bi-Color model, however, mixes the output from two different-coloured LED types to provide a continuously adjustable colour temperature from 3,150-6,300K. Powered by the mains or a V-Lock battery, the Anova Pro can be used in the studio or on location. With a guide number of 24 at ISO100 at a distance of 9 feet (3,795 lumens), it doesn’t offer the power of studio flash, so you may need to rely more heavily on faster lenses or higher ISOs.…

ROTOLIGHT ANOVA PRO

SONY ALPHA A99 II

SLT / £3,000 / $3,200 (body only) / sony.com The a99 II is like a mirrorless camera… but with a mirror. A fixed, translucent mirror. THESE are exciting times for Sony fans – and confusing, too. Just when we all thought the A7 series was the future, the company drops a bombshell. The a99 II is a throwback to Sony’s early experiments in DSLR alternatives. It’s like a mirrorless camera… but with a mirror. In fact, it’s a fixed, translucent mirror, which passes light through to the sensor at the back, but also feeds a dedicated SLR-style phase detection autofocus sensor in the base of the pentaprism housing. It doesn’t actually have a pentaprism, though. Instead, it uses an electronic viewfinder fed by the main sensor. The aim of the SLT (single lens…

SONY ALPHA A99 II

FUJIFILM GFX 50S

Mirrorless camera / £6,199 / $6,499 / fujifilm.com THE LASt year has seen the introduction of two mirrorless, medium-format cameras: the Hasselblad X1D and then Fujifilm, with its first digital medium-format camera. With a £6,199 price tag newly announced and hands-on reviews of pre-production models to place alongside the specs, professionals are starting to recognise the potential. At £6,199 for a 51.4MP sensor in the diminutive (small SLR -sized) and weatherproof body, is this the camera that will prompt an SLR exodus to medium format? Going on appearances, the Fujifilm GFX 50S has a lot in common with an SLR, with a viewfinder directly behind the lens, a sizable right hand-grip and even a top-mounted LCD displaying settings. This mirrorless medium format camera is remarkably small. That said, weighing in at 800g,…

FUJIFILM GFX 50S

LEICA M10 HANDS-ON

Rangefinder / £5,600 / $6,495 / leica-camera.com PEOPLE BUY the Leica M because of what it is, and they don’t want it changed – so every new feature in the M10 is designed to make it better at what it already is, not to turn it into a different kind of camera. It’s still a full-frame rangefinder camera with interchangeable lenses and a 24-megapixel sensor. But there are big differences. First, size. Digital Leica Ms have always had a slightly fatter body than their older film counterparts. Not any more. The M10 now has exactly the same dimensions as the film version, and even though the difference is just a few millimetres, you can feel it in the hand. Second, the viewfinder now offers a field of view 30…

LEICA M10 HANDS-ON

“Every composition is meaningful,” explains the only son of French artist and fashion photographer Guy Bourdin (1928-1991), Samuel. “He created a world of his own,” he says of his father, “and was always pushing the limits of beauty, wit, humour, seduction and creation.” A quarter of a century after his death, Guy Bourdin remains an influential, controversial and even revered figure in photography. But is there more to his imagery than surreal compositions and playful, provocative content? Giving rare insight, Samuel explains that his father’s considerations stemmed from an extensive knowledge of art and culture. Born into Surrealism, he became fascinated with the artworks of the great masters and frequented museums and libraries, indulging his interests in Ingres, Bellini, Balthus, Bacon, Man Ray. He kept an extensive library of art, philosophy,…

Like frogs in slowly heating water, it’s taking many in the photo world a while to realise that this is no longer a warm bath but a hot and lethal cauldron for everyone hanging on to old values. People no longer bask in appreciation of a photograph, they look to the internet for an endless torrent of stimulation. PHOTOGRAPHY is overrated. It’s a 19th Century technology that was adapted to serve 20th Century markets. Yet here we are in the 21st Century, still huddled around the dying embers. Like frogs in slowly heating water, it’s taking many in the photo world a while to realise that this is no longer a warm bath but a hot and lethal cauldron for everyone hanging on to old values. There’s a common misconception that…

It’s about talent, not kit

Technical ability and pricey cameras alone do not make great photography. You must have a great camera,” people say. Or, “I’d love to be a photographer but I don’t have a good enough camera.” My internal response is normally: “Yeah. sure, I could be a musician if I had a guitar like Jimi Hendrix. And, come to think of it, Shakespeare must have had a really good pen.” The perception that photography is simply pressing a button has always been there, and the challenge to prove itself as more than a technical skill began with Daguerre. But now, the technical skills aren’t required either. Thanks to digital technology, it is definitely, 100 per cent true that anyone, including my three-year-old nephew, can make a photographic image with a decent exposure and…

It’s about talent, not kit

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