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31 Articles

Welcome to NO.1 FOR DIGITAL ARTISTS imagine FX ANNUAL

A compilation of the very best content from ImagineFX magazine over the past year, this bookazine is packed with fantastic tutorials to help you master traditional and digital art. Divided into clear sections covering artist portfolios, workshops, sketchbooks and traditional art, we’ll show you how professional artists collaborate on projects and reveal what’s in their sketchbooks, how to paint bright and dynamic figures, create striking paintings and illustrations, and much more. On top of all this, we’ve included some brilliant free resources for you to use in your projects, including brushes and start files that enable you to follow the tutorials in the bookazine. Visit FileSilo and download them to get started.…

Welcome to NO.1 FOR DIGITAL ARTISTS imagine FX ANNUAL

Shan Qiao Location: US MEDIA: Photoshop, ZBrush Web: http://ifxm.ag/shan-q Concept artist Shan has worked for clients including Blizzard Entertainment, Digital Domain and Tencent, and is known for his innovative character designs. 1 CROSSFIRE 10TH ANNIVERSARY “I loved working with the Crossfire team. Everyone contributed their ideas to the art, and the result is so relatable.” 2 SAMURAI DESIGN “I enjoy making sculptures as much as painting. Sometimes I create character designs in 3D. Samurai characters are a common theme in my work.” 3 PROLON “I love dark fantasy worlds. I wrote a story, came up with 30 illustrations, and edited them into a five-minute animated short. It took me three months.” 4 KOWLOON STORY “I always challenge myself to build a rich and colourful world in one illustration. I create…

Artist insight CREATE POWERFUL COMPOSITIONS

Artist PROFILE Steve Ellis LOCATION: US Steve has worked for DC, Marvel and Wizards of the Coast, and also teaches art. He’s created the comics High Moon, The Only Living Boy and The Only Living Girl. http://steveellisart.com I used to rely on my art instincts when it came to composing an image. My earliest professional work was in comics, drawing an average six panels per page for a total of 130 separate compositions per book. It was a boot camp for composition! I learned to be focused and clear, with simple and strong compositions. As I transitioned to painting I wanted to be able to do more complex images with multifaceted stories in a single image. This meant that I had to get more involved in learning the tricks of…

Artist insight CREATE POWERFUL COMPOSITIONS

Jacquelin de Leon

I’ve had this studio for about two years. It acts not only as my workspace and inspiration, but as a filming area for my YouTube videos. It’s part of an old converted canning factory, which is located in the heart of San Jose, California. This is just one corner of the 1,000 square foot studio, the rest of which is filled with a screen-printing area, and a packing and shipping station for online orders. I’ve moved studios several times in the past five years, and this is by far the most open and inspiring space that I’ve been blessed to work in. Because this old building gets pretty hot in the summer, I usually end up painting at night. I used to have my digital art workstation set up here,…

Jacquelin de Leon

Artist PROFILE GORO FUJITA LOCATION: US FAVOURITE ARTISTS: Zorn, Sargent, Picasso, Craig Mullins, Tadahiro Uesugi and Carter Goodrich SOFTWARE USED: Quill, Photoshop, Procreate web: www.facebook.com/goro.fujita Goro Fujita recently went to a dinner party with friends in Pasadena, California. After the meal, a group of guests got out their musical instruments and started to play: a guitarist, a man on piano in the corner, another plucking a double bass, and a drummer beating a drum box with his hands. Goro wanted to join in. So he opened his laptop, put on his virtual reality headset, and slipped a controller on each hand. While the musicians played, he painted and animated them using Quill, the virtual reality illustration software. “It was a meta-moment for me,” Goro says. “I was painting and animating…

THE MUSHROOM COLLECTOR

1 SHAPES, NOT LINES The robots in my paintings show human emotions. I find the juxtaposition an interesting concept to explore. Here we see a mushroom collector, MU-05, that finds a rare glowing mushroom. When I start, I’m thinking in shapes rather than in lines. Often I start blocking in shapes directly. In this case, I did a super-quick sketch to block out the perspective and composition. 2 FAST AND ROUGH Next, I block in characters and elements on a separate layer. The key is to keep it rough and fast in the beginning. When I start a painting I imagine how the scene would look when the lights are turned off. Then I start illuminating the scene, thinking about key, fill and bounce light. It’s a good way to…

THE MUSHROOM COLLECTOR

FAILURE: A KEY INGREDIENT FOR GROWTH

“I noticed during school that guest speakers tended to show only their professional work. This resulted in a presentation filled with awesome visuals but, for a student it, could feel a bit abstract or even discouraging, because reaching that level of expertise seems far away. What I try to do in my talks is to put things into context. I usually show my failures as well as my successes – how I started compared to where I am now – so the students can relate to it and get inspired by it. The ultimate reward is when I can enable people to follow their dreams and inspire them by sharing my own experience. Public speaking was something I was terrified of back in school. I didn’t like that about myself…

FAILURE: A KEY INGREDIENT FOR GROWTH

Artist Portfolio SACHIN TENG

Artist PROFILE Sachin Teng LOCATION: US FAVOURITE ARTISTS: James Jean, Shintaro Kago, Josh Keyes, Katsuhiro Otomo and Kehinde Wiley SOFT WARE USED: Photoshop, Illustrator WEB: www.sachinteng.com Sachin Teng hadn’t been to bed for six days straight. She was busy preparing for a show – Pratt Institute’s notorious end-of-semester exhibition known as Survey. Everybody from the college was going to be there and, more importantly, so were the people from the Society of Illustrators. Sachin was flagging. She decided to have a power nap, another of the hour-long snoozes that kept her going this past week. She finds an empty classroom, makes a bed out of a couple of drawing benches, and closes her eyes. Before Pratt, Sachin worked mainly in monochrome, pen or pencil drawings, still-life, line art. In 2007,…

Artist Portfolio SACHIN TENG

CREATING ART BY DESIGN

1 TWO WORLDS COLLIDE This is a poster based on the animated film Ponyo. I wanted it to feel like two worlds colliding. In the film the entire world is briefly flooded, so I wanted to make the canvas to feel that way. Sosuke is being forced into this small space. It’s almost claustrophobic. The other thing was the conversation between the two characters. The canvas is split in half and two objects mirror each other on either side. The colours in the initial sketch are quite unrelated to the colours I actually ended up using. When you’re trying to sell an idea you have to make it read in the simplest terms. I was colour-coding objects more than designing a colour composition. 2 COMPOSITION ANCHORS Here I’m starting to…

CREATING ART BY DESIGN

HOW TO BEAT ARTIST’S BLOCK

I was working on my junior thesis for illustration at Pratt. No matter how hard I tried, I just couldn’t catch a break in this class. Nothing that had carried me before mattered to this professor. And I couldn’t understand what he meant by “confounding” – his favourite descriptor for conceptual work. It was about to be the end of the semester and I still hadn’t made a breakthrough. My initial sketches for the thesis were shot down. So I had to start over. I was certain I was just going to fail. Painting alone wasn’t getting me anywhere so I decided to just read a lot. There had to be books or articles, essays, something that would give me some insight I wasn’t seeing. I eventually landed on a…

HOW TO BEAT ARTIST’S BLOCK

Artist Portfolio JORGE JIMÉNEZ

Artist PROFILE LOCATION: Spain FAVOURITE ARTISTS: Greg Capullo, Olivier Coipel, Sean Gordon Murphy, Adam Hughes, Stuart Immonen, Jock, Masashi Kishimoto, Jim Lee, JC Leyendecker, Ralph Meyers, Moebius, Takeshi Obata, Sara Pichelli and Akira Toriyama SOFTWARE: Photoshop, Clip Studio Paint WEB: www.instagram.com/jorge_jimenez_art Jorge Jiménez was in the third year of his physical education degree, and it was exam time. The Spaniard studied hard. He felt ready. Then something weird happened. He looked around and saw how his classmates seemed really motivated by what they were doing. He didn’t have that. Sitting there in the classroom that day, Jorge had a bit of epiphany, a quiet little moment of revelation. “I felt a bit out of place,” Jorge says, “and, suddenly, it was as if my eyes were opened, and I thought:…

Artist Portfolio JORGE JIMÉNEZ

STYLING SUPERBOY

“This Superboy piece is quite recent. It marked the reappearance of this classic character in the new series Young Justice, and belongs to the collection of variant covers of issue #1. For me, the story was very funny and I wanted to take the opportunity to make the fans laugh too, basing the drawing on the famous meme of the couple in which the boyfriend stares at a passing young woman while his girlfriend looks at him with a mixture of anger and disbelief. This piece is made entirely by me, including the colouring process. I wanted the composition to be similar to the meme, while reversing the roles of the characters so that Superboy becomes the protagonist. I made a very loose initial pencil drawing (1) to show my…

STYLING SUPERBOY

“Alejandro is not only my coworker, but also a good friend. It’s been about three years since we started working together. We sent joint samples of our work to DC and, after many attempts, the company finally gave us a chance, and now it’s very happy with our work. I insisted on being allowed to work with him, because of the importance of the connection between the artist and the colourist. I send pages to him directly, and I tell him what my intention is in a particular scene, or how I imagined the light, or the ambience. He does the work based on those notes. We talk continuously, every day, many times. Often what he sends back is much better than my initial vision. If I have any more…

Artist Portfolio ANTHONY FRANCISCO

Artist PROFILE Anthony Francisco LOCATION: US FAVOURITE ARTISTS: Hayao Miyazaki, Katsuya Terada, Dean Cornwell, Leyendecker brothers, Craig Mullins, Kim Jung Gi, Norman Rockwell, Yasushi Nirasawa, Alexander McQueen, Adam Hughes, John Singer Sargent SOFTWARE: Photoshop, ZBrush, Keyshot WEB: http://ifxm.ag/anthony-instagram Anthony Francisco is trying to find the words to answer this question: beyond top-notch art skills, what does it take to work as a vis-dev artist at Marvel Studios? “Kindness?” the Filipino says. “Kindness is too simple a word… Professionalism? No… respect – a respectful manner? That’s not it. Anthony’s worked at Marvel for six years. He designed Okoye, Nakia and the Dora Milaje for Black Panther, Loki for Thor: Ragnarok, and Baby Groot for Guardians of the Galaxy Vol. 2. Being a good at art is important, but not as important…

Artist Portfolio ANTHONY FRANCISCO

DRESSING A GOD OF MISCHIEF

“This is the design journey I had based on what Loki was going to do in the third Thor film. Story is really important to me. His costume is asymmetrical because he’s unbalanced by the death of his father Odin, and he doesn’t know if he’s good or bad, but he’s trying be good, so all the diagonal lines reflect this inner turmoil. I wanted to use my own ideas and sensibility to new costumes that feel like they belong on the trash planet of Sakaar. Loki had to look tougher, more regal, like a warrior, and not so androgynous, with his armour also echoing Asgardian motifs. Initially, the little pendant was a lot bigger, like a chain worn by a rapper, a big L for Loki, something that would…

DRESSING A GOD OF MISCHIEF

LIKE A LIONESS IN THE SERENGETI

“I was busy working on Avengers: Infinity War when I got the opportunity to contribute to Black Panther. I designed the Dora Milaje that director Ryan Coogler and costume designer Ruth E Carter brought to life in the movie. I love comic books and so most of my suggestions were based on the rich source material. When I started working on the film Ryan was confirmed as the director, but Ruth was yet to join the production team. I had to work on character designs based on descriptions of scenes. I wanted the women to look fierce and definitely not scantily clad. I had this idea of a lioness hunting in the Serengeti, standing up on a rock, surveying her land, getting ready to attack her prey. That gave me…

LIKE A LIONESS IN THE SERENGETI

Lois Van Baarle

Artist PROFILE Lois Van Baarle (Loish) location: The Netherlands Lois has been drawing her whole life. She currently works as a concept artist and character designer for clients such as LEGO, Guerrilla Games and Amazon. She recently published her second book The Sketchbook of Loish, the successor to 2016’s The Art of Loish, both of which were published by 3Dtotal and successfully funded through Kickstarter. www.loish.net “I love to stylise the shapes in my drawing” “My sketchbook pages can be a mix of styles and ideas”…

Lois Van Baarle

Artist PROFILE Martin Abel LOCATION: Australia Martin has been freelancing for 15 years, working for comic books, magazines and a wide range of clients. He’s recently delved into creating art for board games with Plaid Hat Games’ new title: Crystal Clans. While taking client jobs here and there, he’s now focusing on his own characters and stories, and hopes to bring something out into the world very soon. www.martinabelart.com I wanted to try creating a character with a long, elegant form… “When I travel, I like to draw in Moleskine sketchbooks…” “I especially love combining fine, detailed lines with watercolour paints”…

Artist PROFILE Max Ulichney LOCATION: US Max works as an animation art director and visual development artist, and has a background in CG. He has years of experience working as a caricature artist, and tells us that capturing a candid likeness in a moment at a café or bar remains a favourite past time of his. These days most of his illustration work is done on an iPad in Procreate using his range of custom ‘MaxPacks’ brushes. www.maxulichney.com “I was inspired by 60s mods and the idea of a stranger with secrets” “This hair brought his human to the bar…” “I tried to keep the anatomy strongly indicated without losing any of the energy”…

Artist PROFILE Vinod Rams LOCATION: US Vinod has been creating characters, creatures and worlds for tabletop and video games for over 20 years. He was one of the main character designers on the indie video game Gigantic, and is now is working as a freelance visual development artist for various clients in the entertainment industry. He likes drawing wrinkly old people in his spare time. www.vinodrams.com “Commission for a Dungeons & Dragons character: he’s a half-orc cartographer” “Fat birds and angry monsters. You can’t go wrong with that combo” “This old guy has a strong Frezzato vibe to him…” Do you want to share your sketches with your fellow ImagineFX readers? Send us an email with a selection of your art, captions for each piece and a photo and bio…

PAINT COLOURFUL CHARACTER ART

Artist PROFILE Pernille Ørum Location: Denmark Pernille has been part of the animation industry for seven years as a character designer and has collaborated with many large studios. She designed Warner Bros.’ DC Super Hero Girls. www.pernilleoe.dk As a visual developer in the animation industry it’s your job to realise yours and other people’s ideas, and to tell a story using your creative skills. This means that you need to convey your objective to your audience and understand the effect different elements in a composition have on the viewer. This being art, nothing’s written in stone, but learning the rules and then deciding how you want to use them is a great start. I begin a painting by identifying the story. Who is the character or what’s the mood I’m…

PAINT COLOURFUL CHARACTER ART

PAINT A FANTASY MANGA PORTRAIT

Artist PROFILE Asia Ladowska LOCATION: England The Polish artist and Instagram art ambassador is also the author of the book Sketch with Asia, which is set to be published later this year. www.ladowska.com For this workshop I’m painting a beautiful manga character. My go-to tools are usually traditional media. I’m most comfortable working with ink pens, pencils and markers, and so I’m learning a lot when I’m painting with digital tools. I have no idea what the end result will look like, so I’ll make sure to share in this workshop every important step and my thinking process, as well as why I make certain decisions that affect the final appearance of the character. While painting colour concepts and experimenting with different palettes in the sketching phase, I was listening…

PAINT A FANTASY MANGA PORTRAIT

CREATE CONCEPTS WITH THE PATTERN STAMP TOOL

Artist PROFILE Lino Drieghe LOCATION: Belgium Lino is a part-time lecturer in concept art and freelancer with a primary skill in creating environment concepts and designs. Finding a good worklife balance is hard. In the evenings, when family life calms down, I like to search and learn new ways of working. I explore new techniques to add to my various workflows and write about them on my blog to help me understand them. The Pattern Stamp tool in Photoshop is one of my recent discoveries. Sometimes I use this technique to either overcome the fear of the blank canvas or when the brief of a project has a lot of room for interpretation. I don’t want to be fixated on just one idea. As a concept artist it’s my job…

CREATE CONCEPTS WITH THE PATTERN STAMP TOOL

USE VR TOOLS TO BUILD UP AN IMAGE

Artist PROFILE Martin Nebelong LOCATION: Denmark Martin is a Danish freelance artist, working part-time for Canadian startup MasterpieceVR and on a freelance basis for a plethora of clients both big and small. http://ifxm.ag/martin-n In this workshop I’ll be taking you through the process of making an illustration for a Danish author, Nanna Foss, who’s written a paranormal sci-fi book series called Spektrum, aimed at a teen audience. I’ll take you through the steps of quickly mocking up and composing the scene in Quill (VR), and once this is done, I’ll talk about how to light and present the scene in Marmoset Toolbag to add mood to the VR sketch. With those elements in place, I’ll finally take the illustration into Photoshop and add finish and details through the use of…

USE VR TOOLS TO BUILD UP AN IMAGE

MIX TRADITIONAL AND DIGITAL TOOLS

Artist PROFILE Chantal Horeis LOCATION: Sweden Chantal is a freelance artist living in Sweden. When she’s not drawing she enjoys cooking and caring for her plant collection. www.chantalhoreis.com I love the tactile and sometimes random textures that occur when working with traditional tools. I’m also fascinated by the endless possibilities that digital workflows have to offer, so I never want to choose one over the other. A couple of years ago I started to experiment with different approaches to drawing and painting. I began creating traditional-digital hybrids and refined my process using custom textures and scanned-in papers. Different textures can be a lot of fun to play around with: they give your artwork a lovely finish. Furthermore, this approach enables you to describe surface textures of specific elements in your…

MIX TRADITIONAL AND DIGITAL TOOLS

COMPOSE AN ANIME STREET SCENE

Artist PROFILE Tan Hui Tian LOCATION: Singapore Tan is a senior illustrator at Collateral Damage Studios. She’s created the key visuals for conventions such as Anime Fest @ New York Comic Con and STGCC’s 10th year anniversary. http://ifxm.ag/t-h-tian Traditional anime backgrounds are painted with poster paints, but increasingly studios are switching to digital tools. Backgrounds are designed to suit the cel-shaded animation in the foreground, and differ from matte-painted backgrounds created for films in that there are more hand-painted elements, and the colours are more saturated. For this workshop I’ll be describing my process for creating an anime-style background. It would be good if you had an awareness of basic perspective concepts, such as how to set up a simple two-point perspective grid. 1 Compositional sketch I start off by…

COMPOSE AN ANIME STREET SCENE

Alexandra Manukyan LOCATION: US MEDIA: Oil paint WEB: www.alexandramanukyan.com Alexandra’s work explores the theme of human connection. “The paintings examine isolated life experiences, and look for the connections to other people hidden in them,” she explains. 1 REPLICATION TERMINUS “Never before has the world been simultaneously so connected and disconnected. The empathy of the physical, in-person connection that defines humanity has been supplanted by a false equivocation that simulation equals understanding.” 2 TO LIVE A LIFE BE NEATH “An alien world beneath dark waves, she moves with an otherworldly glow. There’s something in the water… can’t you see? Perhaps beyond all things that we define with certainty.” 3 THROUGH THE HEART OF GRACE “A living embodiment of elegance and fortitude, she moves with an undeniable strength alongside immaculate fluidity. How…

15 TIPS FOR INKING YOUR FANTASY ART

Greetings and salutations artist friends! Do you enjoy tabletop RPGs? Do you find yourself doodling mythical beasts and lovely elven warriors, but you want to breathe more life and detail into them? Well, today you’re in luck, because I’m going to tell you about the magical mystery that’s inking the fantastical. Have no fear, I used to shake in my boots at the thought of inking my pencil work as well. But you already possess the skills required to venture down this road. If you’re a seasoned inker, perhaps something here might help you in your questing. While working on the comic Dungeons & Dragons: A Darkened Wish with B Dave Walters I’ve been inking full time and enjoying the heck out of it. You’ll see some shots of my…

15 TIPS FOR INKING YOUR FANTASY ART

ABSTRACT MARK MAKING SKILLS

My painting process can be described as responsive and permeable, and I’m fascinated with finding similarities between the familiar and the unknown. There’s so much life in both aspects, in the possibility of chance, and in what many might call mistakes or imperfections. It’s what I love about using different tools and materials, and making abstract marks. It enables me to explore and learn while in unknown territory. Experimenting with new tools provokes new ways of processing something, and guides me to the possibility of connecting with something on the fringes or beyond. Exploration is essential to the process, and discoveries can occur in all areas of painting, be it in the abstract or representational areas. It’s different sometimes depending on the area or the stage of the painting I’m…

ABSTRACT MARK MAKING SKILLS

PERFECT THE ART OF CHIAROSCURO

Artist PROFILE Patrick J Jones LOCATION: Australia Patrick is a figurative artist author and teacher. His art technique books, The Anatomy of Style and The Sci-fi & Fantasy Techniques of Patrick J. Jones were both award-winning best sellers. His latest book on drawing the figure, Figures from Life, is now on sale. www.pjartworks.com Today we’ll be drawing Alana, while placing the focus on chiaroscuro. This is the composition of light and shadow to create depth, but more importantly, mood. Having explored depth using value in part five we can now build on that knowledge and delve deeper into the artistic realms of darkness. Chiaroscuro creates an emotional atmosphere in both art and film. Think of the films that engaged us with their skilful play of light and dark. A few…

PERFECT THE ART OF CHIAROSCURO

HOW TO USE FileSilo

To access FileSilo, please visit www.filesilo.co.uk/bks-2483 01 Follow the on-screen instructions to create an account with our secure FileSilo system, log in and unlock the bookazine by answering a simple question about it. You can then access the content for free at any time, and download it to your desktop. 02 Once you have logged in, you are free to explore the wealth of content available on FileSilo, from great video tutorials and exclusive online guides to superb downloadable resources. And the more bookazines you purchase, the more your instantly accessible collection of digital content will grow. 03 You can access FileSilo on any desktop, tablet or smartphone device using any popular browser (such as Safari, Firefox or Google Chrome). However, we recommend that you use a desktop to download…

HOW TO USE FileSilo

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