Deep Cuts

The First International Women’s Film Seminar

ERIKA BALSOM

Lately it feels like everywhere I look obscure old films are being dusted off and presented to eager publics. Even a right-wing newspaper like London’s Telegraph had cause last November to speak of a “repertory boom” in the city where I live, deeming it “the year’s most unlikely media trend.” Their idea of what this looks like is a bit different than mine; not everyone is “suddenly” lining up to see Kind Hearts and Coronets (1949). What I have in mind can’t exactly be described as “repertory” in the standard sense, since it involves nothing like cycling through an established set of titles. Rather than the pleasures of the classics, it’s about reaching for the deepest of deep cuts. I’m thinking of the fetish for prints with provenance, the vogue…

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Cinema Scope (Digital) - 1 Issue, Issue 97 - Winter 2024

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